Tarader Shesh Tarpon


            
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Chotushkone


            Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenthand finalepisode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)who considers himself part of the Hungry Generationwanders Kolkata at night reciting poems.Researching serial killers, Amrita visits a prison where the warden remembers Rafique Ahmed and his only confidant in 18 years of imprisonment: Nibaron Chakraborty. She and Surya go to Nibaron's house to question him; after being greeted by his servant, Swapan, they are convinced he is insane when Nibaron says he has a meeting with "Rabindranath". They almost succeed in learning about Rafique when Surya angers him by mentioning the book-fair arson for which he was imprisoned.While investigating the case, Pakrashi sees Amrita and Surya together. Jealous and drunk, Abhijit goes to Prabir's house and pours out his heart; he tells Prabir that he lost his father at a young age, and tries to avoid alcohol because of what it did to his father. Prabir tells Pakrashi that he went to work the day after losing his wife and child, encouraging him to be strong. Surya takes Amrita to a cemetery, telling her he would propose in a few days. They end up in a police station after a police officer sees them (and is slapped by Amrita). Pakrashi, still tipsy, rescues them when the inspector recognises Amrita as his girlfriend and they reconcile.The next day, while randomly discussing poets and poems, Prabir and Pakrashi deduce that the killer strikes on the death anniversaries of well-known Bengali poets. When they search all possible days the killer could strike, they discover that the next date is 29 June: Michael Madhusudan Dutt's death anniversary.Amrita tells Pakrashi what she and Surya have been doing, including the interview with Nibaron. This convinces him that Nibaron is the killer, especially when Swapan tells Prabir he is now afraid of his employer.Pakrashi and Prabir watch Nibaron's house on the fateful night. A hooded figure comes out; it is Swapan, fleeing. In the house they discover that Nibaron has committed suicide, and the case is closed.After a month or so, Rabindranath Tagore's death anniversary (Baishe Srabon) arrives. Prabir invites Pakrashi to meet a man named Rabindranath, and Pakrashi is surprised that "Swapan" is Prabir's servant Kaanai. Prabir admits that he was the mastermind behind the murders, with Kaanai (an ex-convict) carrying them out. He wanted to avenge the police force for his suspension, which he considered an insult to his hard work despite the loss of his family. After saying that today's would be the final killing, he shoots himself.
    

22 Shey Shraban


            In the present timeline, Rohit Mehta (Jisshu Sengupta), a Gujarati born and brought up in Calcutta, falls in love with Mahamaya (Swastika Mukherjee) and tries to woo her. Since he can just barely utter a few Bengali words (and that too in the wrong places), Mahamaya throws him a hurdle to cross - if he can write a song with correct Bengali lyrics and sing it without any accent or mistake, she would think of a possible relationship. Rohit accepts the challenge and goes to Portugal to study colonial history.Two years pass. Mahamaya is now a radio jockey at a popular radio station. Rohit is in Portugal but still very much in love with her. His Bengali is being refined by his friend and classmate Bodhi (Abir Chatterjee). Rohit chooses the music course and decides to do a dissertation on the 19th Century folk poet Hensman Anthony. He goes to Calcutta and then to Farashdanga, Chandannagar, where Anthony lived and composed his songs. He goes to the local library to get some books where he meets the assistant librarian, a mysterious man named Kushawl Hajra (Prosenjit Chatterjee), who claims to be the re-incarnation of Anthony himself. Kushawl laments that the visions of his previous life is haunting him every day, and slowly taking over the memory of his present life. Rohit promises to take him to Calcutta for treatment, in return he demands the life history of Anthony.The story then goes back to the 19th Century, where Anthony impresses the villagers with his musical talent. He saves a young Bengali widow, Soudamini, from performing sati and later marries her. But he yearns to learn the Bengali language and compose songs in that language. He learns it, reading Hindu scriptures and understanding the meaning of the folk compositions. In those days, kavigaans were very popular in Calcutta, where two kaviyaals or folk poets would face each other with their respective groups and compete with each other through songs and poems. Anthony was impressed by the kavigaans and decided to form a group on his own. He used to compose the songs himself, and on the first occasion met the woman kaviyaal, Joggeshwari (Ananya Chatterjee), whom he defeats. Slowly, as he began to progress in his career as a kaviyaal, he competed with noted kaviyaals of the time like Ram Basu (Sujan Mukherjee) and Thakur Singha (Biswajit Chakraborty).Simultaneously, in the present timeline, Kushawl is taken to a psychiatrist, where he is informed that to stop the visions, he must complete a work which he could not possibly do as Anthony. Kushawl's visions get stronger and stronger. Rohit meanwhile has found a way to sing his latest Bengali composition in front of Mahamaya, whose radio company has decided to organize a competition among bands hailing both from West Bengal and Bangladesh, "Bandemonium". Bodhi, who meanwhile had come to Calcutta to meet Rohit, takes him to Sidhu (playing himself) to arrange musicians for Rohit's performance. Meanwhile, Mahamaya had also started developing feelings for Rohit.Kushawl reveals to Rohit the story of Anthony's last kavigaan. Anthony had been planning to do a Durga-puja all by himself. But the villagers were against this, as, to them, Anthony is a firingee (foreigner) who had no right to perform a Hindu puja. He tells Soudamini that he is going to Calcutta for another kavigaan, and so won't be staying during the days of the puja. As planned, he leaves for Calcutta on the day of the puja. This time, his competition is with the best kaviyaal, Bhola Moira (Kharaj Mukherjee). The competition heightens and Anthony wins after a tough fight.In the present timeline, the day of "Bandemonium" has arrived. Rohit goes on stage and performs his Bengali song E Tumi Kemon Tumi as Mahamaya looks on, tears in her eyes. Within the song, the film goes back to the 19th Century. After Anthony returned from Calcutta, victorious against Bhola Moira, he finds his house and his durga idol set on fire by the villagers. He finds Soudamini dead and nobody around. With his love killed and his faith shattered, he digs a grave for her, and then for himself (as he had once promised jokingly to his wife).During the show, Bodhi brings Kushawl to the auditorium to see the performance of Rohit. Kushawl meets Mahamaya, and then leaves abruptly. After the performance, Rohit and Mahamaya profess their love for each other backstage. Rohit suddenly is informed that Kushawl is missing. He, along with Mahamaya, goes to Kushawl's house in Chandannagar, where they find him completely insane and lost in his visions. He attacks Rohit and then blabbers rubbish. Rohit, heartbroken, leaves with Mahamaya, realising that Kushawl is beyond cure now. The film then ends with a master twist, revealing Mahamaya as the reincarnation of Soudamini, though she remembers nothing of her previous birth. Anthony had wanted to apologize to his wife for leaving her alone, which Kushawl does after Mahamaya leaves with Rohit. The visions will not haunt him anymore. The film ends as Kabir Suman's song "Jaatishwar" plays in the background.
    

Jaatishwar

Gumnaami


            The film is about a man (Parambrata) who runs a workshop in assisted suicide and his tryst with a depressed girl (Koel) who lands up there.
    

Hemlock Society

Chaplin


            Shubhabrata (Indraneil Sengupta), an ambitious but inexperienced filmmaker aims for success with his first venture into fiction, a remake of Satyajit Ray's Nayak (1966), replacing situations in the storyline with more contemporary ones, like the train journey with one by an airplane, and extends the ending of the original in his script. He makes several attempts to approach established star actor Arun Chatterjee (Prasenjit Chatterjee) to essay the hero's role (played by Uttam Kumar in the original) but is continually spurned by Arun's associates Ashish (Pijush Ganguly) and Partha (Dwijen Banerjee).Over time, Arun receives a severe jolt to his ego caused by a public putdown from successful producer Manoj Sarkar (Biswajit Chakraborty) on a TV channel. He decides to take it upon himself as a challenge to unilaterally churn out a hit movie, gets to learn of Shubhabrata's script and summons him. Enthused by Shubhabrata's passion and determination, he decides to finance the movie himself, besides playing the lead, and arranging for its production, overruling Ashish and Partha's objections. The film appears to him the ideal platform to prove his ability to deliver a hit single-handedly.After scouring among a few actresses for the lead actress' role (played by Sharmila Tagore in the Ray original), Shubhabrata decides to cast his live-in girlfriend Srinandita (Nandana Sen), Srin in short, an actress involved in translated European theatre, who he'd always had in mind while delineating the character in his script. After initial reservations, Srinandita agrees.Manoj comes to learn of the launch of the film and apporaches Shubhabrata with an offer to help out in case Arun subsequently falls out with Shubhabrata for some reason and decides to shelve the film, but is dismissed.While shooting progresses, Shubhabrata encourages the growing bonding between Arun and Srin in the interest of authenticity in the film. At the same time, however, he himself grows both in confidence and arrogance towards his cast and crew.Now the narrative of the film's storyline begins playing out parallelly in real life where the friendship between Srin and Arun grows to the extent that she turns from his companion into confidante. In a climactic moment, after the last day's shooting is over, Arun invites himself into Srin and Shubhabrata's apartment in a drunken state while the latter is away and confesses to having used an aspiring actress on the casting couch. Srin consoles him saying that his feeling of guilt signifies repentance and holds the promise of redemption.Accidentally, the confession gets recorded on Srin's handycam who's been using it to rehearse for her next stage appearance as Antigone. When Shubhabrata, who has meanwhile been searching for novel ideas to publicize his film, learns of its existence upon his return, he sees a golden opportunity to use it as publicity material and decides to grab it with both hands. Srin is aghast at the suggestion and dissuades him, extracting a promise from him to refrain.However, Shubhabrata soon breaks his promise, steals the clip from Srin's possession unbeknown to her and passes it on to a TV news channel. When Srin learns of this, she leaves him for an uncertain career as drama teacher in a girls' school away from the city.The next day, the channel plays the clip repeatedly and when Arun switches on the TV, he chances upon the clip. He holds both Shubhabrata and Srin guilty of betrayal and when Srin calls him trying to explain and apologise, disconnects. Asish fails to convince him to take legal action against the channel and assault Shubhabrata.When he finally confronts Shubhabrata and learns of Srin's departure, he realises her innocence. However, he decides to cancel the film, and warns Shubhabrata of using his influence to finish his career, short of causing him physical harm.As a final denouement, Shubhabrata, though he is shown to have begun missing Srin, is seen fixing an appointment with Manoj. The outcome of their meeting is however left undepicted, resulting in a partially open ending.
    

Srijit Mukherji

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