Homeland


            The film starts with Bruno (played by Asa Butterfield) who comes to find that his father, a Nazi officer, has been promoted and is in charge of a concentration camp though Bruno does not know it. Bruno also finds out that he, his father (Ralf), mother (Elsa) and sister (Gretel) are required to move from their home in Berlin and they relocate to modern day Poland, the location of the camp. Whilst there Bruno is forbidden from exploring and playing in the garden after his parents become aware that he can see the concentration camp from the garden. Bruno and his sister are also allocated a personal tutor who pushes an antisemitic program of education to the children. As a result Gretel becomes increasingly supportive of the Nazi regime, however, Bruno is not so easily persuaded as the Jews that help from the concentration camp don't fit the characteristics he has been taught to associate with them.One day Bruno disobeys his parents and goes exploring which brings him to the fence of the concentration camp where he meets another boy his own age named Shmuel (played by Jack Scanlon) and it is discovered that they are both unaware of what is going on in the camp. Bruno visits Shmuel regularly often bringing food with him, eventually, Bruno discovers that Shmuel is a Jew and was brought to the camp with his parents.Meanwhile, Lieutenant Kotler reveals to Elsa that the smoke from the camp is from burning the corpses of the Jews, this causes her to confront Ralf. After Kotler violently beats Pavel, one of the Jews who act as servants, and Shmuel is sent as his replacement, upon seeing him Bruno starts to socialise with him and gives him food before being interrupted by Kotler, Kotler then proceeds to shout at Shmeul before asking him where he got the food, Shmuel tells Kotler that Bruno gave him the food but Bruno denies this out of fear for Kotler denies this, when Bruno and Shmuel next meet Shmuel has a black eye but Bruno is forgiven.Later in the story, Ralf tells Bruno and Gretel that they are going with their mother to live with another relative, meanwhile, Shmuel's father goes missing in the concentration camp, Bruno promises Shmuel that he will help look for him. The day that Bruno is due to leave Shmuel gives Bruno a camp uniform and Bruno goes under a loose bit of fence when he reaches the more central part of the camp Bruno starts to discover its true nature.Meanwhile Elsa discovers Bruno is missing and a full search is ordered, sniffer dogs quickly find Bruno's discarded clothes by the fence, meanwhile, Bruno and Shmuel are lead into a gas chamber although they and the other Jews are unaware of it until the Nazi soldier pours the gas in and the prisoners start to panic, meanwhile Ralf realises that a gassing is underway and cries out his sons name with Elsa and Gretel falling to their knees, the film then shows with a shot showing the now silent gas chamber indicating that they have all died. The film ends with a message about the casualties of the Holocaust.
    

The Boy in the Striped Pajamas


            The talented indie director Dan Ireland (The Whole Wide World, ) brings his deft, intimate touch to a lovely tale of family--and how to build one. Joan Plowright is Mrs. Palfrey, a genteel widow who moves to London to start her life anew, and to be less of a burden to her daughter. When she arrives at the dowdy Claremont Hotel, which is not quite the picture of loveliness it was in the brochure, Plowright delivers Mrs. P's quick assessment--"Oh, dear"--with a spot-on mix of fleeting disappointment and stiff-upper-lip-itude. As she settles in among the oddball residents of the hotel, her life appears to be heading into a slow, downward decline. But when she meets young aspiring writer Ludovic (the adorable British actor Rupert Friend), Mrs. P--and we--learns that real family ties can be chosen, not inherited. The storyline is familiar and simple, with echoes of Tuesdays with Morrie, but the intimacy portrayed by the two lead actors brings surprising layers and emotion to the film, which envelopes the viewer like a cozy shawl. Extras include an excellent commentary with Ireland and producer Zachary Matz, Plowright's acceptance speech for an AARP award for her role in the film, and photo galleries. --A.T. Hurley
    

Mrs. Palfrey at the Claremont

Obi-Wan Kenobi: A Jedi's Return


            
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Starred Up

The Young Victoria

Anatomy of a Scandal

At Eternity's Gate

Companion

The Kid

Strange Angel

Youth

Lullaby for Pi

The Swan

The Rat Catcher

To Write Love on Her Arms


            'Jolene' is the story about ten years in a young girl's life, who, having grown up in a succession of uncaring and abusive foster homes, marries a young man at 15 in the hope of escaping, and finding a home where she might find some love and happiness. Unfortunately, a bad decision on her part results in catastrophe and ultimately lands her in an institution for young women. After a year of hell, climaxing with an affair with a prison guard, she manages to escape and is finally on the road to freedom and finding herself. In her quest, she passes through a series of relationships, adventures and misfortunes which take her across America, in search of the life she dreams of. Based on the controversial short story by E.L. Doctorow.
    

Jolene


            Set in 1900s Belle Époque Paris, Chéri tells the story of the affair between a wealthy, middle-aged retired courtesan, Léa (Michelle Pfeiffer), and the flamboyant spoiled, neglected 19-year-old only son of another even wealthier courtesan, Fred (Rupert Friend), nicknamed "Chéri" ("Dear" or "Darling"). A famous beauty, Léa has been successful at extracting large sums of money from her up-scale clients, never falling in love with any of them.At first Léa takes Chéri off her "friend" (and former rival) Charlotte's hands as a favor, as his dissipated lifestyle is irritating to Charlotte and unhealthy for Chéri. Although Léa only plans on keeping Chéri around for a short while, their affair turns into a six-year relationship, in which Léa pays for Chéri's expenses, (although he has access to considerable wealth from his mother) and Chéri wears Léa's silk pajamas and pearls. Although they satisfy each other both sexually and emotionally, the two convince themselves that their affair is casual, but they are the only real friend the other has. Her status as a former prostitute and his as the son of one make them outsiders who can only be fully honest and relaxed together.Léa learns Chéri's mother has arranged for Chéri to marry the daughter of another courtesan, an innocent barely 18-year-old named Edmée (Felicity Jones), as Charlotte has decided she wants grandchildren, largely to make up for her years of neglecting Chéri. Although Chéri does not wish to marry Edmée, whom he finds boring, he has no choice in the matter, as he stands to inherit a huge fortune from Charlotte. Léa cheerfully kicks him out of her home, but makes Chéri promise to always be gentle and kind with Edmée, and to try to give her a good life. After Chéri agrees, the two part ways, both putting on an air of breezy unconcern, as much to convince themselves as the rest of the world that their affair had just been for amusement.Léa does not attend the wedding, and Chéri and Edmée leave for their honeymoon. It is only after Chéri is on the train to Italy for his honeymoon that both he and Léa realize they are in love with each other. Chéri consummates his marriage with Edmée, but their lovemaking is perfunctory, and even though Edmée is in love with her husband, Chéri can't summon any emotion for her. Léa visits Charlotte one last time before running off on vacation, making up a story in which she is involved in with another suitor, when in fact the only man Léa beds while on vacation is a young bodybuilder whom she has no feelings for and regards as a one-night stand.Meanwhile, Edmée accuses Chéri of not caring about her, and says all he ever does is think of Léa, "that old woman". While out on the town with a friend, Chéri tries opium and cocaine, and on his way back he notices that Léa's apartment is no longer empty and she has returned home. Comforted by the fact that Léa has returned, Chéri runs home to Edmée where he makes love to her properly and kindly, thinking that he can now live in peace with Edmée, juggling both women. He sends Charlotte the next day to investigate Léa's home life, whereupon Léa claims she is madly in love with her new "suitor", and Charlotte tells her that Chéri and Edmée are likewise madly in love and happier than ever. That night, jealous and wanting to confront Léa about her new suitor, Chéri breaks into her home and admits he loves her. They make love with all the pent up passion they have been suppressing for the sake of others, and plan on running away together.In the morning, however, Chéri notices the wrinkles on Léa's face in the harsh light of day, and she sees his doubt. She apologizes to Chéri for "ruining him" and making life too easy on him when they first begun their affair. Léa tells Chéri to go back to Edmée, for their age difference would always prevent a true relationship blossoming between them. Tentatively, Chéri leaves as Léa watches, breathlessly hoping he will turn back. Both crestfallen and elated by a new sense of freedom, he walks on, as Léa stares into her mirror at her aging face.The narrator reflects on the injustice of fate, that Léa was born two decades before her only true love, Chéri. The narrator also reveals that, while he went through World War I without a scratch, Chéri later realizes that Léa was the only woman he could ever love, and he commits suicide.
    

Chéri

Jurassic World: Rebirth

Outlaw


            In the opening text, the Agent program was started to create genetically enhanced men to use as unstoppable killing machines. An organization known as Syndicate International is seeking out Dr. Litvenko, the man that started the program. However, Syndicate has located a young woman, named Katia Van Dees (Hannah Ware) with ties to Litvenko.Several Syndicate mercenaries track down Katia's location and head out to find her. They are in pursuit when someone detonates a bomb in the street, taking out one of their vans. The mercenaries and Syndicate doctors try to find out who is responsible. They are cornered by Agent 47 (Rupert Friend). He kills two men before leaving one doctor alive long enough for him to tell 47 where Katia is. After this, the doctor is killed by a bomb planted by 47. The Agent then proceeds to kill every other man in the building.Syndicate's chairman, Le Clerq (Thomas Kretschmann), is informed of the killings at the research facility and demands that he be stopped.Agent 47 gets in contact with his handler Diana (Angelababy). He has two new targets to take care of.Katia is desperately looking for a man that she feels she has some connection to. She also doesn't know why she can see or feel things that she can't explain, such as when she senses a woman being attacked by her husband, leading Katia to hit a police alarm on the street to save the woman.As Katia continues her pursuit of the mystery man, she is found on the subway by a man who calls himself John Smith (Zachary Quinto). He follows Katia and approaches her, making it clear he knows where she's going and who she's looking for. They are found and pursued by 47, who shoots at them. Smith takes Katia away and arrives at an embassy. He fires two shots so that the soldiers in front can apprehend him and Katia.Katia is met by Sanders (Dan Bakkedahl), who asks her what she and Smith were doing, until 47 arrives at the embassy and intentionally gets himself captured after his huge gun (and other guns) are found. Sanders interrogates him and brings the gun to the room. 47 notices a tattoo on Sanders' arm for his family. He questions Sanders about them to get a rise out of him before kicking the table up to cause the gun to fire and shoot one of the cufflinks off the table. 47 beats and kills the other two men in the room and takes one of their uniforms, then knocks out Sanders after he says he is willing to die for his children. 47 slips out while Katia runs and gets Smith out.Smith takes Katia away to a hotel after another chase where she's shot in the arm by 47. He reveals to Katia that the man she's looking for is Litvenko and he is her father. Smith says that he was last seen years earlier with Stage 3 cancer. He asks her to tell him anything she can remember about him, right before 47 arrives and shoots Smith repeatedly, then knocks Katia out and takes her with him.Katia wakes up in a dark room, all tied up. 47 says he won't kill her, and that he wants to help her find her father. He also tells her that she possesses a similar skillset like his, so she can untie herself. 47 pulls a lever to reveal Katia is in front of a jet turbine, so she hones in on her skills and frees herself.As 47 and Katia get a move on, Smith arrives, turning out to possess some sort of super strength and agility not unlike an Agent. Other mercenaries arrive to kill the two, but 47 shoots most of them and Katia causes two more to get sucked into the turbines, allowing the two of them to get away.47 informs Katia that her real name means "90", indicating she is a more advanced Agent than 47. He has also known of her since they were children as he saw her being taken away from her home.They go by undetected through an airport until they eventually find Litvenko (Ciaran Hinds). Although he is happy to see his daughter again, he doesn't want her to be around when trouble is lurking, which is why he had to abandon her. 47 sees some assassins disguised as civilians and kills them. He takes Katia and Litvenko away as Smith and other Syndicate mercs chase them. Smith orders the other villains to trap them in the city. They shoot harpoons at 47's car, trapping him, Katia, and Litvenko in the middle of the city. The mercs descend upon them, but 47 shoots them down. They still manage to take Litvenko with them.Litvenko is brought to the Syndicate headquarters where Smith tortures him with a painful serum until he gets Litvenko to tell him how to make an Agent. Le Clerq tells Smith to stop before he kills Litvenko. Le Clerq tries to get answers too, but Litvenko never budges. Meanwhile, 47 pages through the system and informs the villains of his presence, making them think he is in a chopper outside. It is really Katia, who is tied up again and made to fly the chopper into the building. More mayhem ensues and the mercs get killed while Smith and Le Clerq run away with Litvenko. Smith then realizes that 47 is already in the building. They have a supercharged fight, with Smith almost overpowering 47. He punches through a wall, exposing an electric circuit. 47 ties a garrote around Smith's neck and presses it against the circuit, electrocuting Smith.Le Clerq takes Litvenko to the roof of the building and escapes on his own personal chopper. Inside, Litvenko takes out his inhaler, only for Le Clerq to realize too late that it's an explosive. Litvenko presses it and destroys himself and Le Clerq before Katia's eyes. 47 then gets a call from Diana to confirm that Le Clerq is terminated, but when she asks about Katia, he throws the phone off the roof. 47 tells Katia that he needed to find Litvenko to put an end to the Agent program completely, but also assuring Katia that Litvenko loved her. They turn back to go into the building, but Katia senses that one more person is there to kill them. The elevator door opens to reveal Agent 48, who looks identical to 47. He says, "Diana says 'Hello'", before 47 and Katia shoot him.
    

Hitman: Agent 47

Last Looks

Dreams

Meet Me in Montenegro


            In this intensely human portrayal of courage under fire, acclaimed director Renny Harlin (Die Hard 2, Cliffhanger) combines heart pounding action with real human drama, as he tells the riveting story of a war reporter caught behind enemy lines during the 2008 Russian invasion of Georgia. As a nation fights for its very survival, a brave and passionate coalition of international reporters and local Georgians risk their lives to tell the true human cost of military conflict. Filmed for six weeks on location, 5 DAYS OF AUGUST is a riveting, suspenseful portrait of the courage under fire. His spirit broken after an Iraqi ambush in Bagdad takes the life of close friend Miriam Eisner (Heather Graham), American war correspondent, Thomas Anders (Rupert Friend), seeks escape from the ghosts of his past. Rumors of war draw him to a military hot zone in the republic of Georgia, on the eve of a Russian invasion. Reunited with a small, intrepid band of war reporters in the Georgian capital of Tbilisi, Anders takes his cameraman and fellow road-warrior, Sebastian (Richard Coyle), on the road north, toward the breakaway republic of South Ossetia, just in time to witness a Russian airstrike on the peaceful village of Vaziani. While Russian bombs rain down, Anders and Sebastian boldly document the devastation, then shuttle survivors to a military hospital in Gori, with the help of a brave and beautiful, Georgian school teacher, named Tatia (Emmanuelle Chriqui). Unable to break his story through the noise of Russian propaganda and a world distracted by the Olympics in China, Anders and Sebastian race back to the battle zone to help a desperate Tatia find her missing family. Caught in the crossfire of full-scale combat and witness to the murder of civilians in another Russian assault, Anders records the evidence that will shock the world. But before he can act, Anders is captured, along with Sebastian and Tatia, by the architects of these atrocities, the ruthless Colonel Demidov (Rade Serbedjiza) and his mercenary killer, Daniil (Mikko Nousiainen). Just when all seems lost they are rescued in a daring raid by a Georgian soldier, Captain Rezo (Johnathon Schaech). Anders and his friends, including the world-weary Dutchman (Val Kilmer), must stand and fight for their freedom and their cause in a final battle in the city of Gori. Ultimately, while President Saakashvilli (Andy Garcia) seeks help from his allies, Anders faces one last test of courage as he strives to save Tatias life by sacrificing everything but the truth.
    

Rupert Friend

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