
            The film depicts a future in which human beings, known as "Oms" (a word play on the French-language word hommes, meaning men), have been brought by the giant Draags to the Draags' home planet, where they are kept as pets (with collars). The Draags are an alien race which is humanoid in shape but a hundred times larger than humans, with blue skin, fan-like earlobes and huge, protruding red eyes. The Draags also live much longer than human beings one Draag week equals a human year. Some Oms are domesticated as pets, but others run wild, and are periodically exterminated. The Draags' treatment of the Oms is ironically contrasted with their high level of technological and spiritual development.The story opens with a woman running, occasionally looking behind her as if pursued. An enormous hand descends and blocks her way. She runs back the way she came and finds her way blocked by another hand. It becomes apparent that she is being toyed with by entities that do not appreciate her fragility, and as she dies, the infant she has been carrying and attempting to protect begins to cry.The view changes to reveal the Draag children who have accidentally killed the woman; they leave quickly when an adult Draag and child approach. The child voices concern for the orphaned infant, and the two take the child to their home. Tiva (the Draag child) names the infant Terr (word play on "terrible", same spelling in French; also a homophone for the French "Terre", meaning Earth). Her father, whom the adult Terr voice-over explains is master Sinh, the Draag great Aedile, attaches a collar capable of physically dragging Terr back from mischief, and over the next several scenes, their relationships develop.Terr witnesses the parents seemingly ingesting food by inhaling it from a device. After changing Terr's costume as one would a doll's, Tiva uses makeup to give herself a more Om-like appearance. When Terr impishly trades dark pigment for light, Tiva blows some of the powder on him. Tiva uses a tiny indoor weather-maker to cause a small storm cloud to form over Terr and chase him around the dwelling. Tiva takes Terr for a walk, and then teaches him how, under certain circumstances, crystals will form on stationary objects, including standing bipeds. She also teaches him that whistling will shatter the crystals. Terr happens upon master Sinh as he and several compatriots are melding in a ritual, and it is revealed that many Draag children have Oms like Terr when they convene to watch their respective Oms interact.Tiva's education is supplied by the use of a headset that transmits knowledge directly into the brain of the user. Because she enjoys having Terr in her hand when she is having her "infos," Terr begins to acquire their knowledge.Meanwhile, at the seat of government, Draag Councilors discuss whether the regular extermination of the wild Oms is sufficient to keep their numbers at an acceptable level. It is revealed that Oms were first found on a planet that retained some evidence of structured life, but the images seem to reveal that Earth was in a post-apocalyptic state at the time.Terr decides to escape, and to take the headset with him. He does not get very far before Tiva realizes he is missing, and her mother tells her to use her bracelet to bring him back. Terr finds himself suddenly being dragged backward by the collar. Only the headset becoming entangled in plants allows a wild female Om to come to his rescue before he is choked by the collar or dragged all the way back.When Terr explains that the headset contains the knowledge of the Draags but he doesn't know where to go with it, his unnamed rescuer takes him to her tribe, who live in a tree in a walled park. When it is demonstrated that Terr can read Draag script, the leader (known only as "Mighty One") is willing to accept Terr into the tribe, but the Wizard is not, and demands a trial by combat to the death. Terr and the Wizard's champion have child-sized animals bound to their torsos in such a way as to prevent the combatants from using anything but the beaks of said animals to attack. Terr is injured, but wins the trial.Over the next several scenes, it is shown how the Oms have adapted to life on the Draags' planet. Snail-like animals weave clothes onto the Oms, predators that would eat Oms are in turn hunted and efficiently stripped of useful materials, and the gene pool is kept well-mixed. Oms even make the occasional foray into Draag areas in search of resources. Returning from one such expedition, the group of adventurers is accosted by "bandits" who drop clawlike harpoons into the cargo and simply lift it up into their own tree. Mighty One tells Terr that they live on the other side of the park, and cautions him that they are evil.When the now-literate Oms read the new sign on one of the walls, they realize the park is about to be "de-Omised." Terr decides that he must take this information to the tribe of "bandits," and is quickly captured and taken before their leader, a wizened old woman.The woman is skeptical of Terr's claims. Terr is tied up and left. But when the de-Omising begins, the old woman returns and frees him. The de-Omising is accomplished using disks that release a poison gas. A great many Oms perish to this gas, but a sizable number still manage to escape through a crack in the park wall.Two passing Draags witness the exodus, and one begins crushing the Oms underfoot. The Oms retaliate and manage to bring down one of their attackers, but Mighty One is also killed, and the old woman leads the survivors to a place where she believes they will be safe. The death of a Draag puts the Council in an uproar. De-Omising is stepped up to a much higher priority, new technologies are developed, and frequency is scheduled to increase.The old woman has led the two now-united tribes to an old rocket depot. Applying their newfound knowledge, the Oms, seemingly under Terr's direction, very quickly adapt the abandoned technologies to their own purposes and begin to flourish, thanks to the rebirth of mechanized industry. On a visit to the old woman, Terr's former rescuer hears her express both optimism and regret that she will not live to see the Oms finally find peace.Fatalities resulting from Draag attempts to de-Om the rocket depot are minimized by the creation and organized use of shelters, but the Draags' updated de-Omising technologies become ever more aggressive, and when an automated scout detects the persistent Om settlement, it summons an array of lethal devices.As the attacks become more diverse and effective, the Oms launch their manned rockets toward the Fantastic Planet, where they discover headless statues. As bubbles descend to alight atop the statues, the statues begin to dance. Each bubble seems to contain an image of an individual Draag in meditation; their "spirits" are what animate the statues.It turns out that the statues facilitate "nuptial rites" between the Draags and entities from other galaxies, and from these, the Draags draw their life force. When the feet of the dancing statues threaten the rockets, the Oms use energy weapons that shatter the statues. Pandemonium reigns supreme in the Council chamber, for it seems the two races will destroy one another if they cannot find a way to live together.But in the very next scene, an Om steps down off an outstretched Draag hand, removes his silly hat and assumes a posture of confidence and self-assertion. The headset voice dispassionately recounts the Oms' construction of a new satellite where they can live, "which they call Terr, after their ancestral planet ."
    

Fantastic Planet


            Trelkovsky (Roman Polanski), a quiet and unassuming Polish immigrant living in France, rents an apartment in Paris whose previous tenant, Egyptologist Simone Choule, attempted to commit suicide by throwing herself out the third-floor window and through a pane of glass below. He visits Choule in the hospital but finds her entirely in bandages and unable to talk. Whilst still at Choule's bedside, Trelkovsky meets Simone's friend, Stella (Isabelle Adjani), who has also come to visit. Stella begins talking to Simone, who becomes aware of her visitors. Initially showing some signs of agitation upon seeing them, Choule soon lets out a disturbing cry, then suddenly dies. It isn't clear which of the two has caused this reaction. Apparently unaware that Choule is now dead, Trelkovsky tries to comfort Stella but dares not say that he never knew Simone, instead pretending to be another friend. They leave together and go out for a drink and a movie (Bruce Lee's Enter The Dragon), where they fondle each other. Outside the theatre they part ways.As Trelkovsky occupies the apartment he is chastised unreasonably by his neighbors and landlord, Monsieur Zy (Melvyn Douglas), for hosting a party with his friends from the clerical office where he works, apparently having a woman over, making too much noise in general, and not joining in on a petition against another neighbor. Trelkovsky attempts to adapt to his situation, but is increasingly disturbed by the apartment and its tenants. He frequently sees his neighbors standing motionless in the toilet room (which he can see from his own window), and discovers a hole in the wall with a human tooth stashed inside. He receives a visit and a letter from one Georges Badar (Rufus), who secretly loves Simone and has believed her to be alive and well. Trelkovsky updates and comforts the man and spends the night out with him drinking at various bars around the city. Gradually he changes his breakfast habits like Simone and shifts from Gauloises to Marlboro cigarettes.One evening, Trelkovsky has a run-in with Stella who is with some friends of hers at a local bar where they talk about the late Simone. After a gathering at friend's house, Stella invites Trelkovsky back to her apartment where she tries to seduce him. Trelkovsky is quite drunk and does not respond to her advances. He tells Stella about finding the human tooth in a wall in his apartment. He then tells a story about a man who lost his arm in an accident and wanted it buried. Trelkovsky instead passes out, leaving Stella to instead sleep beside him.The next day, Trelkovsky returns to his apartment where be becomes severely agitated and enraged when he sees that his apartment has been robbed, while his neighbors and the concierge (Shelley Winters) continue to berate him for making too much noise... despite the fact that he appears to tiptoe around the apartment and watches his TV set without sound. He complains about the robbery to Zy, but the landlord is unsympathetic and refuses to allow Trelkovsky to call the police for he wants the building to remain quiet and respectable. Over the next several days, Trelkvosky becomes hostile and paranoid in his day-to-day environment (snapping at his friends, slapping a child in a park) and his mental state progressively deteriorates as he isolates himself from society. One evening, he imagines himself being attacked by a derelict in the hallway of the lobby in his apartment building while imagining it to be one of his neighbors Madame Dioz (Jo Van Fleet). He buys a wig and woman's shoes and goes on to dress up (using Simone's dress which he had found in a cupboard) and sits still in his apartment in the dead of night.He begins to suspect that Zy and neighbors had driven the previous tenant, Simone, to commit suicide by harassing her, and in his increasingly twisted state of mind, believes that they are trying to subtly change him into Simone so that he too will kill himself. He has visions of his neighbors playing football with a human head in the apartment courtyard, and begins to see himself staring out of his own window and finds the toilet covered in hieroglyphs.After a night of drinking at a local bar, Trelkovsky runs off to Stella for comfort and sleeps over at her apartment and confides in her about his fear that his neighbors are trying to kill him, but she calmly tells him that it is all in his mind. The next morning, after Stella has left for work, he concludes that she too is in on his neighbors' conspiracy when a delivery man arrives outside her apartment with a packaged delivery. In his twisted mind, Trelkovsky looks through the peakhole of the front door and sees Zy there. After the delivery man leaves, Trelkvosky proceeds to wreak havoc in her apartment before departing, and steals her hidden supply of money.That evening, Trelkvosky is drinking at a local bar again when he makes the mistake of asking the barman where he can buy a gun. The barman and the manager throw him out of the bar from where the drunk Trelkvosky wanders into the street where he gets hit by a passing car driven by an elderly couple. The old man and woman stop and exit the car to check on him, and he is not wounded too seriously. An doctor appears and gives him a sedative injection due to his odd behavior. As a result, Trelkvosky perceives the elderly couple as landlord Zy and wife after which the couple return him to his apartment.By this point, a deranged Trelkovsky dresses up again as a woman and throws himself out the apartment window in the exact same manner of Simone Choule, before what he believes to be a clapping, cheering audience composed of his neighbors in the courtyard. The suicide attempt, in fact, wakes up his neighbors (whom Trelkovsky sees as humanoid monsters decending upon him). The neighbors arrive at the scene together with the police just in time for the wounded Trelkovsky to crawl up to his apartment and jump one more time.The end of the movie is enigmatic. Trelkovsky is bandaged up at the local hospital in the same fashion as Simone Choule in the very same hospital bed. When Trelkovsky looks up, two visitors come to visit him the next day. It happens to be Stella... and his own self standing before him in the exact same manner when Trelkvosky and Stella visited Simone in the hospital earlier. Trelkovsky then lets out the same disturbing scream that Simone had screamed. There is the possibility that this scene is not a flashback but that Trelkovsky is really Simone Choule and the whole supernatural cycle is about to start all over again.
    

The Tenant


            Set in the late 19th century, Jonathan Harker is an estate agent living in Wismar, Germany. His boss, Renfield, informs him that a nobleman named Count Dracula wishes to buy a property in Wismar, and assigns Harker to visit the count and complete the lucrative deal. Leaving his young wife Lucy behind in Wismar, Harker travels for four weeks to Transylvania, to the castle of Count Dracula. He carries with him the deeds and documents needed to sell the house to the Count.On his journey, Jonathan stops at a village, where locals plead for him to stay clear of the accursed castle, providing him with details of Dracula's vampirism. Harker ignores the villagers' pleas as superstition, and continues his journey unassisted ascending the Borgo Pass. Harker arrives at Dracula's castle, where he meets the Count, a strange, ancient, almost rodent-like man, with large ears, pale skin, sharp teeth, and long fingernails.The lonely Count is enchanted by a small portrait of Lucy and immediately agrees to purchase the Wismar property, especially with the knowledge that he and Lucy would become neighbors. As Jonathan's visit progresses, he is haunted at night by a number of dream-like encounters with the vampiric Count. Simultaneously, in Wismar, Lucy is tormented by night terrors, plagued by images of impending doom. Additionally, Renfield is committed to an asylum after biting a cow, apparently having gone completely insane. To Harker's horror, he finds the Count asleep in a coffin, confirming for him that Dracula is indeed a vampire.At night, Dracula leaves for Wismar, taking with him a number of coffins, filled with the cursed earth that he needs for his vampiric rest. Harker finds that he is locked in the castle, and attempts to escape through a window with a makeshift rope. The rope, fashioned from bedsheets, is not long enough, and Jonathan falls, severely injuring himself. He awakes on the ground the next morning, stirred by the sound of a young gypsy boy playing a violin. He is eventually sent to a hospital and raves about 'black coffins' to doctors, who then assume that the sickness is affecting his mind.Meanwhile, Dracula and his coffins travel to Wismar by ship, via the Black Sea port of Varna, thence through the Bosphorus and Gibraltar straits and around the entire west European Atlantic coast to the Baltic Sea. He systematically kills the entire crew, making it appear as if they were afflicted with plague.The ghost ship arrives, with its cargo, at Wismar, where doctors including Abraham Van Helsing investigate the strange fate of the ship. They discover a log that mentions their perceived affliction with plague. In turn, Wismar is flooded with rats from the ship. Dracula arrives in Wismar with his coffins, and death spreads rapidly throughout the town.When Jonathan is finally transported home, he is desperately ill, and does not appear to recognize his wife. Lucy later has an encounter with Count Dracula; weary and unable to die, he demands some of the love that she gave so freely to Jonathan, but she refuses, much to Dracula's dismay. Now aware that something other than plague is responsible for the death that has beset her once-peaceful town, Lucy desperately tries to convince the townspeople, but they are skeptical and uninterested. She finds that she can vanquish Dracula's evil by distracting him at dawn, but at the expense of her own life. She lures the Count to her bedroom, where he proceeds to drink her blood.Lucy's beauty and purity distract Dracula from the call of the rooster, and at the first light of day, he collapses to the floor, dead. Van Helsing arrives to discover Lucy, dead but victorious. He then drives a stake through the heart of the Count to make sure Lucy's sacrifice was not in vain.In a final, chilling plot twist, Jonathan Harker awakens from his sickness, now a vampire, and arranges for Van Helsing's arrest for the murder of Count Dracula. He is last seen traveling away on horseback, garbed in the same fluttering black as Dracula, stating enigmatically that he has much to do.
    

Roland Topor

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