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Soorarai Pottru

Kendasampige

Dayavittu Gamanisi


            Movie is based on the experience of Indian nurses from Iraq in 2014,Sameera (Parvathy) is a nurse in Kerala who is moving to Iraq for better compensation. Her better half (Asif Ali) and relatives are not strong of her desire to work to column her family. They at last get separated after their disparities. Shahid (Kunchako Boban), a partner from work sees every one of her issues and wishes to wed her. In spite of the fact that Sameera is at first reluctant about another marriage, the two move wedded before to Iraq. Rest of the plot spins around the inconveniences confronted by the couple and different medical caretakers after they achieve Iraq for work.
Manoj(Fahad Fasil) played an important role in film as Indian ambassador who help these nurse.
This film was shoot in various parts of Dubai.
    

Take Off

Mufti


            The film opens in Kuwait (Aug 1990) with Indian businessman Ranjit Katiyal clinching a business deal with the Emir of Kuwait. Katiyal is a ruthless businessman who will go to any lengths to make a profit. He is successful and well connected in Kuwait and Iraq. Katiyal calls himself a Kuwaiti and is generally derisive towards Indians. He has a large and well appointed mansion in Kuwait, he makes a happy home with his wife Amrita and his sweet little daughter Simu.Late that evening he receives word that Iraq has attacked Kuwait. (He explains that Iraq and Kuwait have had tense relations: Iraq owes a large dollar debt to Kuwait and Saddam has urged the Kuwaiti establishment to reduce oil supply so prices can rise. When Kuwait refused and remained defiant Saddam ordered the attack.) At this point Katiyal believes the attack is one of the many minor border skirmishes. He asks Amrita to take the child away to London for a few days until things cool down.In short order he discovers that the attack was not a minor skirmish. Iraqi soldiers are overruning Kuwait and plundering the city and indiscriminately targeting and murdering Kuwaiti citizens. Katiyal and Nair drive to the Indian Embassy. They are stopped by angry Iraqi soldiers (still in their teenage years) and when Nair begins pleading in Arabic he is shot dead. Katiyal manages to reach the Embassy. The consul, a friend of Katiyal, explains that the Kuwaiti government (the Emir family and others) has fled and Kuwaiti money is now worthless. The 170,000 Indians in Kuwait are now refugees until India decides its policy.Katiyal returns. He is pulled out at a checkpost and taken to the Emir palace. Iraqi Major Khalaf is now in charge. He chides Katiyal for not remembering him from his previous visits to Iraq. He explains that Iraq has always enjoyed good relations with India and now he extends his own personal friendship to Katiyal by which he means Katiyal should transact business with him; business now includes supplies, transport out of Kuwait and anything else that may be needed. Katiyal hurries home; his mansion is looted but his wife and child are safe at his office. Katiyal meets with his friends (one of them owns a supermarket). After some initial confusion he manages to convince them to stay together. A makeshift camp is set up at a nearby school and some 500 Indians move in. Amrita urges Katiyal to use his clout to extricate his own family but Katiyal (who ordinarily would have just looked to himself) appears to have a change of heart.Katiyal decides to stay and help the others get out. He eventually discovers that the Indian Embassy has been evacuated as well. He phones the Indian External Affairs Ministry in New Delhi where he reaches Joint Secretary Kohli who, as is common in the Ministry, redirects him to another officer. As Katiyal is trying to reach someone the camp is looted by Iraqi soldiers. Katiyal reaches the Major who explains that his soldiers need food and may return again. The Major also reveals that Saddam has already permitted Indians to leave Kuwait. Katiyal goes to Baghdad to try and set up a way out of Kuwait.Arriving in Baghdad Katiyal discovers that the Indian Embassy is of no help. (The consul explains that they cannot issue passports since many others - Pakistanis and Bangladeshis - use war as a convenient excuse to claim Indian nationality.) Kuwaitis in Iraq have also fled. The only remaining option, Iraqi Foreign Minister Aziz is somewhat helpful. He is a friend of Katiyal and is sympathetic to the cause. He discloses that an Indian merchant ship is due to arrive in Iraq and he will tacitly permit the 500 Indians to leave on the ship. Katiyal is grateful and returns to Kuwait with the news. But as soon as the buses are loaded and ready to leave Katiyal receives the distressing news that there is a UN embargo and ships are barred from entering or leaving Iraq. One of Katiyal's cantankerous employees rails against him. Amrita comes to his defense and after a loud argument everyone is resolutely supportive of Katiyal.Katiyal continues to keep in touch with the Indian Ministry officer Kohli but Kohli is somewhat of a sluggard. But when his own father recounts their tale of woe during the partition of India, Kohli awakens and begins to actively petition the Minister. The Minister sadly explains that they are in a weak coalition government and the Kuwaiti problem is not a high priority. But Kohli persists and the Minister, half in frustration and half in agreement, asks Kohli to handle it. Kohli approaches Air India (then national airline) and orchestrates an evacuation of the 170,000 Indians in Kuwait.The last part of the plan is arduous. Katiyal bluffs and threatens the Major to get him to let them leave. (The Major had thought he would have obtained more concessions from Katiyal.) Kohli pleads and wrangles the Indian establishment to get the Amman Embassy to issue permits. When Katiyal finally loads up the Indians and leaves he encounters hostile Iraqi soldiers who stop him at a border checkpoint and threaten to rape Amrita. Katiyal fights them off when he finds the Indian contingent right behind him. The Iraqi soldier drops his weapons and lets them pass. They all arrive in Jordan and the Amman Embassy receives word in the nick of time to let them leave for India. Kohli has successfully negotiated safe passage of all the Indians. Air India supplies the planes and the pilots, previously unwilling to fly over war zones, have had a change of heart towards their brethren. The Indian tricolor is hoisted over the Jordan airport.The film ends as the Indians salute Katiyal as they board the planes that will take them home.From Wikipedia
    

Airlift

Smoke


            From time to time there comes a product that you have to sit up and take notice just because somebody even attempted it. Madras Café, with all its flaws, is one such movie. Ours has been a nation obsessed with Gods and saviors. Even more than the Jews, we Indians have always been looking for a savior to rescue us from the mire that is our lives. Our mythological stories are full of Gods to took human form to save mankind and our recent history is filled with people who are considered demi-Gods by their supporters. From Gandhi to Mamata, our leaders always evoke one of two reactions - total and unquestioned loyalty or complete and utter dismissal. In such an environment, Madras Café tries to tell the story of, arguably, the most important political event of our times. The assassination of Rajiv Gandhi, without a doubt, changed the face of Indian politics. Shoojit Sarkar and John Abraham, producer, have to be commended for trying to tell an unbiased story on how Rajiv Gandhi came to be assassinated in a most gruesome manner.The movie traces the story from the point of view of Bikram Singh, a RAW agent, who works undercover in Sri Lanka to undermine LTTE chief Prabhakaran and help get the peace process on track. Along the way, he is double crossed, kidnapped, lied to and loses the most cherished parts of his life. Unfortunately, John Abraham the actor does not live up to John Abraham the producer. Johns limited acting abilities mean that we are left feeling cold and unattached to the main protagonist. This is not the first time John has essayed a promising role in the most lifeless manner possible (check out No Smoking or Shootout at Wadala). The movie is filled with bad actors essaying promising roles or good actors essaying one-dimensional roles. For all the effort, Shoojit Sarkar fails to recreate the magic of Vicky Donor. He is let down by the script and the acting skills at his disposal. But it is not all gloomy. Instead there is a lot to recommend about the movie. For one, the photography is top-class. Shot mostly in Kerala and Tamil Nadu, Kamaljeet Negi does a fine job of capturing the beauty and horror that must have been Sri Lanka in the Prabhakaran era. The music by Shantanu Moitra is complementary without being intrusive to the storytelling. Then there is the fact that this movie was actually made. This is a moment when you have to put aside your demand for the perfect movie and watch Madras Café just so you can tell Bollywood that youd prefer this brand of cinema to the Khans brand. What John Abraham needs is to build a team of good technicians and actors. If he can continue to support and make money from the kind of cinema he believes in, it would be a turning point for Bollywood. Verdict: Must watch
    

Madras Cafe

Amma I Love You

College Kumar


            John Biswas (Amitabh Bachchan) is a 70-year-old grandfather who visits the police station regularly. He is desperate to find the kidnapper and murderer of his granddaughter Angela, who died eight years ago. Police inspector Sarita Sarkar (Vidya Balan) has no clues about the case. But he continues to search for the person who caused it, despite being discouraged by people all around him, and collects evidence one by one at a slow pace.John's wife Nancy (Padmavathi Rao) is sick and uses a wheelchair. Despite personal problems, John is determined not to give up. John also regularly meets Father Martin Das (Nawazuddin Siddiqui), who was a police inspector and was handling the Angela kidnapping case. Father Martin Das tries his best in solving the case, but the guilt of being unsuccessful compelled him to leave his job and become a priest.One day, eight years after that tragic incident, there is another kidnapping, that of a boy named Rony. Everything about it echoes the kidnapping of Angela. Further investigation reveals that the modus operandi for kidnapping Rony is the same as that of Angela. Inspector Sarita requests Father Martin for assistance in cracking the case. Martin supports partially by providing clues and Sarita, with John, start investigating the case.Since the modus operandi was the same, Angela's case file is re-opened. Manohar is then nabbed when, on the instructions of the unknown kidnapper of Rony (John), he tries to flee with the ransom at the railway station. He is arrested by Sarita who interrogates him in the lock-up but he refuses to confess that he had kidnapped his own grandson Rony.In the meantime, John doggedly pieces together the identity of Angela's kidnapper from little bits of information that he collects through his own investigations. After confirming the identity of the Angela's kidnapper, he creates a plan to kidnap Rony. John wanted to seek revenge and justice since Rony's grandfather Manohar (Sabyasachi Chakraborty) was the one who had kidnapped Angela.Father Martin finds out that John kidnapped Rony and confronts him. John requests Martin to arrange a meeting with Manohar. During the meeting, John makes Manohar confess about the crime committed by him in front of the police. Manohar confesses and is found guilty of his past activities. Manohar confesses that he kidnapped Angela since he needed money for his daughter's open heart surgery.It is revealed that Angela was not murdered - while being held captive, she escaped and accidentally fell from a height on to a moving car and died. The car was driven by Father Martin Das, who was injured in the accident.
    

Prakash Belawadi

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