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Harvey Birdman, Attorney at Law


            In 1947, the movie's narrator, Stingo (Peter MacNicol), a young writer from the American South, travels to post-WW II Brooklyn. He is befriended by Sophie Zawistowski (Meryl Streep), a beautiful Polish immigrant, and her lover, Nathan Landau (Kevin Kline). It is clear to Stingo from the serial number tattooed into Sophie's forearm that she is no stranger to pain, as she is a Holocaust survivor.One evening, Stingo talks with Sophie and learns some more about her past: that she was married but her husband and her father were killed in a German work camp. When Stingo notices scars on Sophie's wrists, Sophie explains that after being rescued from Auschwitz she was taken to a refugee camp in Sweden, but whilst there she went to a church, broke a glass, and cut her wrists. Sophie goes into another room where Nathan spends a lot of his time and finds another wine bottle. The walls are covered in images of the Holocaust, prompting Sophie to explain that it is Nathan's obsession.Sophie and Nathan's relationship is endangered both by Sophie's ghosts and Nathan's obsession with the Holocaust, as well as his violent temper and increasingly apparent mental illness. When Stingo visits a man who knew Sophie's father, he discovers she's been lying to him. He learns that Sophie's father, a Polish college professor, hated Jews. Later, when Stingo talks to Sophie about this, she explains, with more about her past emerging through a series of harrowing flashbacks.Something makes Sophie go to the Jewish ghetto, where she looks at all the people her father has condemned to death. She suddenly remembers that her father is waiting for his speech and hurries home to finish the typing. In her haste, Sophie makes a lot of mistakes and hurries to the university. Her father (Ivica Pajer) reads the speech in front of a large crowd of people and becomes very angry.Later, Sophie has a lover, Józef (Nedim Prohic), who lives with his half-sister, Wanda (Katharina Thalbach), a leader in the Resistance. Wanda tries to convince Sophie to translate some stolen Gestapo documents, but fearing she may endanger her children (Jennifer Lawn & Adrian Kalitka), she declines. Two weeks later, Józef is murdered by the Gestapo, and a short time later Sophie is arrested and sent to Auschwitz with her children. Upon arrival, the Germans decide who will live and who will die. Jan, Sophie's son, is sent to the children's camp, and her daughter, Eva, is sent to her death in Crematorium Two.Sophie later learns of an epidemic in the children's camp, and becomes concerned for her son's well-being. She convinces the Commandant to let him into the Lebensborn programme. He relents and tells Sophie she will see him the next day. However, the Commandant breaks his promise about letting Sophie see her son. She never finds out what happened to him.Back in the present, Nathan asks Sophie to marry him and she accepts. Stingo feels betrayed, as he is falling in love with Sophie, but agrees to be Nathan's best man. When Nathan goes into another of his violent moods, Sophie runs to Stingo. At this point, Nathan makes a threatening phone-call which ends with the sound of a gun firing, and Nathan making more threats.Stingo and Sophie flee and check into a hotel. Stingo insists that they start a family, but Sophie has yet to tell him her final secret - her choice. She recounts the night she arrived at Auschwitz with her children, and of how a Nazi officer forced her to choose life for one child, and death for the other.Despite her plea of "Don't make me choose. I can't choose", Sophie's words fall on deaf ears. When a young Nazi is told to take both children away, she releases her daughter, shouting "Take my little girl!". Sophie can only watch as the screaming little girl is carried away to die, her guilt and despair all too clear. Once she has told him, Sophie asks Stingo not to talk about marriage and children.They sleep together that night, but Stingo wakes up alone. Sophie has left him a note, saying she has gone back to Nathan, but that Stingo is a great lover. Stingo later goes back to the building where he met Sophie and Nathan, only to find everybody in a state of shock. Stingo is led up to Sophie and Nathan's room where he finds they have committed suicide. Picking up Nathan's book of Emily Dickinson poems, Stingo recites "Ample Make This Bed", as if he were delivering a eulogy at a funeral.The film ends with Stingo leaving Brooklyn, the screen going misty, and an image of Sophie's face fading into view.
    

Sophie's Choice

Game Change

Numb3rs

Ally McBeal

American Blue Note

Dragonslayer


            Mr. Bean (Rowan Atkinson) is a well-meaning, but hopelessly clumsy and destructive guard at the Royal National Gallery in London. Attempts by the gallery's board of directors to fire Bean are thwarted by the chairman who, for unspecified reasons, is very fond of him. Desperate to rid themselves of the turmoil Bean unintentionally causes, the board members send him to the United States to represent them at the unveiling of the portrait Whistler's Mother, which has been purchased for $50 million by the Grierson Art Gallery in Los Angeles. Bean's visit has been arranged by the gallery's curator, David Langley (Peter MacNicol) who is being very impressed by the National Gallery's fabricated praise of "Dr. Bean", decides to board him in his house. On his flight to Los Angeles, Bean attempts to amuse a child with air sickness by blowing up his M&Ms bag and popping it to wake up the man in front of him, but without success. After the child throws up into an air sickness bag, Bean takes the bag from him and repeats the bag popping over the man's face, only to splatter him with vomit. He hides from the man upon his arrival to Los Angeles, where he is detained at the airport due to pretending to have a gun. His arrival at David's house is initially met with subtle hostility from David's wife Alison (Pamela Reed), son Kevin (Andrew Lawrence), and daughter Jennifer (Tricia Vessey). Alison refuses David's request to allow Bean to live with them for two months, and David promises Alison that he will talk to Bean and take him to a hotel after their meeting at the gallery.
Bean's unorthodox arrival at the gallery worries many of David's colleagues, particularly his boss, George Grierson (Harris Yulin), who subtly warns David that he will be responsible for Bean's actions at the unveiling of the painting, but David promises that he can handle Bean, convinced that he is merely a little eccentric. When David takes Bean back to his house, Alison departs for her mother's home, unwilling to live with Bean. With his family gone, David decides to take Bean on a tour of the Los Angeles art galleries. However, Bean decides that he and David should go to Pacific Park instead, but lands in police detainment for the second time after accidentally tampering with the controls of a motion simulator ride, making it go dangerously fast after deeming that his first ride earlier was too slow. This prompts Lieutenant Brutus (Richard Gant), who dealt with Bean at the airport, to make David accountable for Bean, threatening to arrest Bean if he ever steps out of line again.
Following a miserable dinner with Grierson which David had forgotten about, where Bean accidentally blows up the microwave after attempting to cook their Thanksgiving turkey in it, David finally realises that Bean is not a doctor and knows nothing about art. He is obliged to continue with the deception, however, as he has already staked his professional career on Bean's supposed reputation as a noted art scholar. The next day, Whistler's Mother arrives at the Grierson Art Gallery, and Bean is given a few minutes alone to study it, in an effort to keep him out of trouble. While dusting the frame, Bean accidentally sneezes on the painting and wipes it with a handkerchief, not knowing that it is covered in blue ink from a broken pen, and therefore the painting is stained. Terrified, Bean takes it to the caretaker's cupboard to get some agent by which to remove the ink. He uses lacquer thinner, which also dissolves the painted face from the painting. Much to his horror, Bean attempts to patch it up with an extremely unconvincing cartoon face. Upon seeing it, David is also horrified and hides the painting behind its metal security shutters. Fearing that David will lose his job and possibly face criminal proceedings for his vandalism, he and Bean head off to a bar to drown their sorrows.
During the night, Bean hatches his plan to restore Whistler's Mother. He gathers a few items from David's house and makes his way to the Grierson Art Gallery. He distracts the only security guard on duty by putting laxative in his coffee, followed by switching the men's bathroom keys with some other set. He removes the destroyed painting from its frame and replaces it with a poster version of itself, glossing it with an egg and varnish mix to make it appear authentic. At the unveiling of Whistler's Mother the next day, David is overjoyed to see the painting is restored, but expects Bean, who has totally forgotten to come up with a speech, to make a fool of himself on national television when he takes the podium at the press conference. However, Bean's brief but effective off-the-cuff speech regarding the work is both very simple and very deep, cementing the public's perception of him as a scholarly virtuoso. Despite initial doubts, the officials and hierarchy appear to take his words to heart and enjoy the speech. After the unveiling, Brutus finds David and informs him that Jennifer has been involved in a motorcycle accident because she rebelled against David for not getting rid of Bean, and is in intensive care. Bean and David are given a police escort to the hospital to see Jennifer, but Brutus stops on his way to deal with an armed robber, who shoots Brutus in his stomach before being arrested.
Due to a mix-up at the hospital, Bean is mistaken for a medical doctor and pushed into an operating theatre containing Brutus, who is shot in the stomach and barely alive. While the other doctors and nurses are distracted, Bean unconventionally retrieves the bullet and eventually rescues Brutus, earning the admiration of his colleagues. Bean is again mistaken for a doctor and this time, David takes him to see Jennifer, who is unconscious. Bean, unsure what to do, attempt to use a defibrillator to bring Jennifer back to life, but accidentally shocks himself and is sent flying across the room and lands on Jennifer in her bed and waking her up in the process. Still not recognising Bean, David and Alison tell him that they will offer him anything. Bean reveals himself and then asks if he can stay with them for another week before returning to London. Though baffled, the Langleys gladly accept. After another week in Los Angeles with the Langleys, for which he gives the family gifts, and explores the city, a bald man shows him his middle finger, bean thinks it is a sign of good luck. So he shows this to everybody. In his flat, Bean, getting ready to bed for the night, turns off the light and looks at the original vandalised Whistler's Mother, which now has pride-of-place on his wall, and shows it to his Teddy before closing his eyes and going to sleep.
    

Bean


            Transylvania: 1893. A coach containing Thomas Renfield (Peter MacNicol), a solicitor from London, and two Transylvanian natives, rocks up a mountanous path. Renfield says he's feeling queasy and one of the helpful natives leans out the window to tell the driver to slow down. Just as he does so, he catches a glimpse of the setting sun and yells for the driver to go faster. The carriage rocks and jerks its way to the closest town.When they arrive, a townsperson opens the door of the carriage, and Renfield tumbles out headfirst. The driver throws his luggage down after him, saying he will go no further tonight. Renfield is forced to walk to his appointment at Dracula's castle, disregarding the townspeople's warnings about vampires as a silly superstition.By the time Renfield arrives, it is dark. He tries to knock at the door, but the knocker crumbles away in his hand. Just then, the doors swing open of their own accord. When Renfield steps in, the doors swing shut again and he turns around in surprise. Behind him, at the top of a long staircase, Count Dracula (Leslie Nielsen) makes his appearance. He stands still at the top of the stairs as shadow creeps forward across the wall in a predatory stance. Dracula scolds it in a foreign tongue and it retreats. Renfield, startled, turns around and is relieved to see the count. Dracula starts to introduce himself and trips on some bat guano, tumbling down the steps. He gets up at Renfield's feet, unharmed. He leads Renfield up the staircase, while his shadow limps across the wall behind him.As they walk up the stairs Dracula passes without incident through a giant spiderweb that is in the way. Renfield, confused, attempts to follow, only to become tangled in the web. He is still picking cobwebs off his clothes as he enters the room into which Dracula has led him. Dracula brings up his purchase of Carfax abbey. Renfield produces the documents. Just as Dracula is about to sign, Renfield gets a papercut. Blood spurts all over the documents as Renfield attempts to find his hankerchief. Dracula smacks his lips and looks on in interest.Later that night, Renfield is sleeping soundly in the guest room. The door creaks open and two vampire maidens float into the room. Renfield wakes up to see them molesting his furniture. He is indignant at their intrusion, but when they advance upon him he soon gives in to their mistrations with gusto. Dracula walks by to see them in a very comprimising position. He calls the vampires off and scolds them. They start to float out of the room, but he tells them to stop it, so they just stomp into the hall.Dracula finds Renfield cowering under the covers and tells him he was having a nightmare. He offers to show Renfield an old Transylvanian method of relaxation, where the other will stare deeply into his eyes. However, Renfield promptly falls asleep before Dracula can make him his slave. This happens once more before Dracula hoists Renfield up by his shoulders and goes through it all very fast. Renfields eyes get wider and more twitchy as he listens, and the scene ends with Renfield totally under Dracula's control.The next scene opens on a ship at sea. It is The Demeter, bound for England. Dracula's coffin is down below, being knocked about the cabin. Renfield enters and tries to tie down the coffin again, only to be crushed against the wall multiple times by the rocking ship. When Renfield finally manages to tie down the coffin, Dracula emerges with a groan. Renfield says he looks dried out, and offers him some whisky. Dracula refuses, and says he'll start with the first mate.A London Enterprise headline segways the next scene: Corpse of Captain Found on Empty Vessel-- Sole Survivor a Raving Maniac.At a showing of Faust, three theatre-goers look over the audience from their box seats. The fourth, Dr. Seward (Harvey Korman), who runs an insane asylum, enters late. His daughter, Mina (Amy Yasbeck), his ward, Lucy Westenra (Lysette Anthony), and Mina's fiancé, Jonathan Harker (Steven Weber) greet him. He apologizes for being late, citing the lunatic he brought in from the empty ship as an excuse.Meanwhile, Count Dracula approaches an usher (Leslie Sachs) in the hallway outside and requests to speak with Dr. Seward alone. He makes a gesture with his hand and she is instantly transformed into a mindless slave, repeating his request as she approaches the box. Just before she draws back the curtain, he adds "and you will remember nothing of what I tell you." She draws the curtain to summon Dr. Seward and suddenly has no idea why she's there. Dracula, annoyed when she greets him for the second time, denys her a tip and says he'll do it himself.Dracula enters the box and introduces himself as the new owner of Carfax abbey, which ajoins Dr. Seward's sanitarium. He is just about to introduce himself fully when the usher returns, relaying the original message Dracula imparted upon her. Dr. Seward leaves at the summons and Jonathan Harker takes over, introducing the offended Dracula to the rest of the group. Dracula takes an interest in Lucy. At one point he stares, transfixed, at her neck. She seems flattered.Later that same night, Lucy looks out her window at Carfax abbey and undresses to just her nightclothes. As she gets into bed, Dracula turns into a bat and flies across to her window. Just as he reaches it, Lucy shivers and reaches out to push the window shut. It swings shut and Dracula flies into it head-on, sliding down the glass. Afterwards, in human form, he pushes in the window and hoists himself up onto the sill and into the room. Suddenly, a knock sounds at the door. Dr. Seward and Jonathan come in and turn on the light, saying they thought they heard a prowler. They search the room and find nothing, while Dracula clings desperately to the ceiling above their heads. They say goodnight and Dr. Seward slams the door on the way out. Dracula crashes to the floor.After the men have gone, Dracula creeps over to Lucy's bedside and begins to drink her blood with a loud, slurping noise.The next day opens on a cell in Seward's Sanitarium where Renfield fusses and frets on his cot. Martin, (Mark Blankfield) a caretaker at the sanitarium, enters and says Dr. Seward is ready to meet with Renfield. He leads him out to where Dr. Seward is sitting, eating lunch. Renfield takes the seat opposite him. Renfield acts normal until he catches sight of an insect and stuffs it into his mouth. This happens three more times and Renfield tries to play it off, but eventually Dr. Seward is forced to call Martin back to put Renfield in a straightjacket.That same morning, Mina comes into Lucy's room, where the other girl is still in bed. Mina remarks that Lucy looks pale, and Lucy says she doesn't think she can get out of bed. Mina calls her father and he examines the two little bruises on Lucy's neck with interest. Jonathan suggests an insect, and asks if Lucy recalls being bitten. Lucy alludes to a strange dream she had, but when they press her on the details she says she remembers nothing and drifts to sleep.Dr. Seward suggests contacting Dr. Abraham Van Helsing (Mel Brooks), who he thinks might be able to shed some light on the disease.At the London Hospital Dr. Abraham Van Helsing's autopsy lecture is being conducted. Van Helsing disects the body and passes various body parts around until every student has fainted. A nurse comes in and sees the bodies on the floor. She congratulates him on a "ten out of ten." She then says she just got a message from Dr. Seward summoning VanHelsing to Whitby for an emergency. Van Helsing looks thoughtful.Dracula's coffin opens on a new morning. Dracula is at first startled that he can be up during the daytime, but then becomes joyful as he thinks that Lucy's blood had cured him. He goes out for a walk and samples a picnic. Suddenly, Renfield appears and warns him away. Dracula begins smoking in the sunlight. Startled he starts to run back to his coffin but can't seem to get anywhere. Cut to Dracula's coffin, which is rocking. Muffled screams are coming from within. It opens and Dracula looks around him, seeing that it is night. He was having a daymare.Van Helsing examines Lucy and can only suggest the interferance of a vampire. At first Jonathan and Dr. Seward don't believe him, but they come to as he explains his line of thinking. They ask what they can do, and Van Helsing consults a vampire book. He finds what he is looking for in the suggestion of hanging garlic around Lucy's room as she sleeps, to prevent Dracula from finishing the job.Dracula rises from his coffin that night and bumps his head on the chandalier directly above. He grumbles that he must move his coffin.Garlic drapes over every surface in Lucy's room that night. She complains about the smell, but Dr. Seward and Dr. Van Helsing insist. Dracula creeps up to the window once they have left and opens it, only to be warded away by the disgusting smell. The next time we see him he is at the window of Renfield's cell. He calls his slave to the window and bends open the bars, floating gracefully down to the ground. Dracula beacons to Renfield and he leaps from the window. Renfield gets up, groaning. Dracula reminds Renfield that he doesn't fly. Renfield limps after Dracula on the way to Lucy's room.Once there, Renfield opens the window and begins to gather wreaths of garlic in his arms. He is distracted, however, and peeks under Lucy's blankets. Lucy wakes up and screams. Renfield screams. Dr. Seward and Jonathan come in and restrain him. Martin appears at Dr. Seward's call and drags Renfield back to his cell. Jonathan closes the window. When Lucy is alone again Dracula uses his vampire powers to call her to him. She opens the window and steps out into the night. Mina steps out onto the terrace and sees a dark figure bending over Lucy's prostrate figure. She screams, which brings Dr. Seward and Jonathan stright to her side. They rush out into the night and find that they are too late.A funeral is held. Dr. Van Helsing warns that unless they stake her to her coffin she will rise from the grave. Seward expresses doubts about the whole vampire theory. Just then, Count Dracula is shown in. He is introduced to Van Helsing, who questions the relationship between Count Dracula and Vlad Dracula, who impaled his subjects on iron spikes. Dracula insists they had it coming. Van Helsing and Dracula engage in a childish game of trying to get the last word through insults in the language of Ancient Moldavian. The professor notices The Count never gives up, leading him to suspect Dracula might be the vampire.At the Westenra crypt voices are coming from within Lucy's coffin. A man drinking nearby hears and lets her out. She attacks him.Back at the house, Jonathan is going out to stand guard at Lucy's grave, just in case. We next see him walking in the graveyard with a lantern. Suddenly, he hears his name called out long and soft. Lucy, now transformed into a vuluptuous vampire, steps out of the shadows. She begs Jonathan to come away with her, and tries to seduce him. However, he is too British to succumb to her wiles. She tries to bite him, but Van Helsing steps out of the darkness with a cross to drive her back. She retreats to her crypt, with Van Helsing at her heels.When Van Helsing and Jonathan enter the crypt they find Lucy lying prostrate in her coffin. Jonathan thinks she's dead, but Van Helsing says that unless she is staked through the heart by one who loved her in life she will rise again. Jonathan insists that he only liked her, but Van Helsing will hear none of it. He retreats behind a pillar and Jonathan hits the stake as hard as he can with a mallot Van Helsing produced. A deluge of blood pours out from where the stake drove in and Jonathan is soaked. He hits it one more time, with the same effect. Van Helsing hands him a hankerchief.Back at the house, Mina's nurse, Essie (Megan Cavanaugh) is sitting watch over her while she sleeps. Dracula is out in the garden and hypnotizes Essie to fall asleep and makes Mina awake. Dracula orders Mina to the door and there is some confusion in which he accidentally carries Essie away. When he realizes his mistake he drops her and goes back for Mina, spiriting her away into the night.Jonathan and Van Helsing return. Seward is shocked at Jonathan's appearance and makes him use the servant's entrance.At Carfax Abbey Dracula carries Mina into a candlelit room. They begin to dance, as a dusty old organ accompanies their movements. Their shadows dance and Dracula's shadow gets a little carried away, if you know what i mean. Dracula yells at it to stop, and they continue dancing. Dracula bites her.The next morning Mina is up early while Essie sleeps. Jonathan comes in and they wake her. Jonathan comments that Mina looks different, and she agrees, saying she's changed. She comes on to him, which makes Jonathan uncomfortable. Her father comes in and catches them in a very compromising position. Jonathan blames Mina, but she rescinds all blame. Seward is furious and orders Jonathan out. Van Helsing comes in and is suspicoius of Mina right away. He rips off her scarf to reveal two tiny puncture marks on her throat. She claims she did it pinning a shawl, but when Van Helsing presents her with a cross she faints.
The group decides they need to find out the identity of the vampire, and Van Helsing suggests a way.The next scene opens with a ball. They invite Dracula and Renfield. Dracula comes up behind them while they are talking and startles them. He spots Mina and asks to dance. Jonathan is about to refuse, when Van Helsing stomps on his foot. Renfield calls Dracula's attention on his way to Mina. Renfield is suspicious of the circumstances under which he was invited. Dracula agrees that it is suspicious and says that if he is discovered he has movied his coffin to an abandoned Chapel, and that Renfield must meet him there, making sure not to be followed.Dracula begins to dance with Mina. Martin is given the signal to drop the curtain from a giant mirror. Everyone starts staring at Dracula and Mina, because he does not reflect in the mirror. He thinks they're staring because he's a good dancer. When he finally figures it out, he snarles and throws a table through the window. With Mina in his arms he leaps into the night.Renfield yells out after him, but quickly covers it. Van Helsing is suspicious of Renfield, and suggests they let him go to see if he'll lead them to Dracula. Renfield starts off in the direction Dracula indicated, only to remember his advice. To make sure he isn't followed he zig-zags in a circle and then advances, sure that he lost them.Renfield arrives at the castle, proud of his achievement. It is just then that Dracula hears the sound of his pursuers at the gate. Renfield is crushed that he couldn't fulful his duty, and begs Dracula to punish him. Dracula obliges and throws Renfield down the stairs. The group tramples over him on the way up the stairs.The door is locked when they get up, however. Dracula leans down to bite Mina as they beat on the door, and just as his fangs are about to sink in they break in. There is a struggle, at the end of which Dracula turns into a bat and flies into the rafters to escape. While he is up there, they are unable to burn him with the light of the sun. Just as Dracula thinks he's safe, however, Renfield opens a pannel in the ceiling for escape, accidentally letting in the sun. Bat-Dracula goes down in a ball of flames and Mina awakens as herself again.Jonathan carries Mina out the door. Just after them, Renfield comes in the room, sobbing. He scoops up his master's ashes, places them in his coffin and draws a smiley-face in them, trying to fix it. Seward tells him that he doesn't need to serve anyone anymore. Renfield follows him out the door, saying, "Yessss masssster." As Van Helsing puts on his hat, he opens Dracula's coffin and shouts one last insult in Ancient Moldavian, getting the last word. He slams the coffin shut as the film ends.
    

Dracula: Dead and Loving It


            Jamie Foxx stars as Quincy in this semi-romantic comedy about a man who is dumped by his girlfriend, Helen (Bianca Lawson). Quincy was about to ask Helen for her hand in marriage at a party with all his friends; when unexpectedly, Helen just leaves him. Quincy is confused by the breakup, and he writes Helen a long letter about how she was supposed to breakup. Quincy's cousin Evan (Morris Chestnut) sees the letter, which is the size of a book, and gets the idea of publishing it. The book becomes a best seller. Evan wants to breakup with his girlfriend Nicky (Gabrielle Union), and gets Quincy's advice. This is the point where Quincy begins to break all the rules with Nicky. Douglas Young (the-movie-guy)
    

Breakin' All the Rules

Heat

CSI: Cyber


            Two scientists, Dr. Elena Kinder (Kathleen Turner) and Dr. Heep (Christopher Lloyd), use genius-baby studies to fund BabyCo's theme park "Joyworld". According to Dr. Kinder's research on toddlers/babies, babies are born possessing vast, universal knowledge and speak a secret yet impossible-to-translate baby pre-language called Babytalk. However, at age 2-3, the knowledge and language are lost as the babies cross over by learning how to speak human languages. Most of the babies raised in Dr. Kinder's underground research facility were adopted from the Pasadena City orphanage, transformed into little geniuses through use of the Kinder Method, and then used in experiments to decipher this secret yet impossible-to-translate language used by the 7 baby-geniuses.One mischievous toddler, Sylvester (the only one of her toddlers who was raised through use of the superior version of the Kinder Method), makes repeated attempts to escape Dr. Kinder's research facility and one night, Sylvester goes into a dirty diaper truck and he actually succeeds. The next morning, one thing Sylvester does not expect is to run into his long lost normal twin brother, Whit, in a mall playground. Although Sylvester and Whit share a telepathic bond, they have no idea of each other's existence. While the guards from Dr. Kinder's research facility capture Whit, mistaking him for Sylvester, and take him back to Dr. Kinder's research facility, Sylvester is taken home by Whit's adopted mother, Robin (Kim Cattrall), who is Dr. Kinder's niece. After Dr. Kinder and the six other baby-geniuses are shocked that Whit and Sylvester switched places at the mall, Dr. Kinder decides to do a cross evaluation on Sylvester and Whit. However, when she comes to Dan Bobbin's place, she realizes that Dan can understand babies. After the attempts to retrieve Sylvester fail, Dr. Kinder decides to move the research facility to Liechtenstein, and they have no chance but make Whit be the only normal baby to be raised in this research facility until they can find a possible way to get Sylvester back to her research facility.The babies at Bobbin's place hypnotize Lenny (Dom DeLuise), the bus driver to drive to Dr. Kinder's research facility. Once at the research facility, Sylvester goes to the control room to set the robots from the theme park on the lab scientists. When the Bobbins return home, their natural daughter Carrie tells her father that the children are in Dr. Kinder's research facility. At the end of the fight, Dr. Kinder captures Whit and takes him to the helicopter pad on the roof. Robin and Dan chase them to the roof, where Dr. Kinder reveals that she and Robin are not related and that Robin was adopted at age two. After Dr. Kinder is arrested by the police, Sylvester and Whit come together on the roof to cross over.Dan and Robin adopt Sylvester. And Dr. Heep is now in charge of Dr. Kinder's Research facility. Dan is still curious of the secrets of life; but, as the twins have crossed over, they no longer know those secrets. Carrie, their sister, doesn't reveal anything (just giving her dad a sly smile) because adults aren't meant to know their secrets.
    

Peter MacNicol

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