
            The film opens with a short text introduction stating the purpose of the footage and its intent "For the fans...". After short dialogues from various dancers, Kenny Ortega is heard talking through the original concert opening sequence involving a body suit made from screens which display fast clips and images with bright intensity from which Jackson emerges on stage. Immediately after this, Jackson begins "Wanna Be Startin' Somethin'" first solo, which pauses half-way through and a small snippet of Jackson singing his song "Speechless" acapella is shown. Jackson is then joined by dancers and completes the first number. A short clip showing rehearsals of the "toaster" mechanism is shown before rehearsal footage of "Jam" is played. This plays directly into the green screen adaption of soldiers dancers for "Bad" which are also used for "They Don't Really Care About Us" which is shown next. From here, the film shows Michael directing Ortega and his band for his solo rehearsal performance of "Human Nature" which he performs acapella, then acoustic and finally with full band. Green screen rehearsals for the video vignette for "Smooth Criminal" come next, with dress rehearsals of the song following, including parts of the vignette intertwined with the dancing. Jackson is seen next directing his musical team for the cues in his song "The Way You Make Me Feel." Jackson then performs a rehearsal with dancers which he alters and changes as he goes. A small animatic introducing the Jackson 5 is shown afterwards, and Michael then rehearses "I Want You Back", "The Love You Save", "I'll Be There" and "Shake Your Body." Jackson stops only to report problems with his earpiece. After this, Jackson sings with one of his back up singers on his duet song "I Just Can't Stop Loving You" in which he sings at full strength, directing his partner as he goes. The filming for the "Thriller" vignette is then shown with Jackson and Ortega watching with 3D glasses. Jackson is then seen rehearsing "Thriller" with the vignette intertwined like that in "Smooth Criminal." During the dance sequence, puppets are suspended in the audience aisles while Jackson emerges from a robotic spider originally seen in the vignette. Jackson and Ortega rehearsing the cherry-picker is seen next, along with Jackson rehearsing "Beat It." Jackson creates the ending he wants for the song, a long drum build up in which he tears off his jacket and burns it. Footage of the show's aerialists rehearsing to the instrumental of "Who Is It" is shown next, followed by the Jackson and his band rehearsing "Black or White," in which he allows guitarist Orianthi Panagaris to take center stage to finish with a high guitar rift. The video-sequence for "Earth Song" is shown next, featuring a small girl who wanders through an abundant forest, falls asleep, and wakes up to find the forest destroyed by man. Jackson then performs the song both onstage and using the cherry-picker, with his voice being heard at the end telling of the dangers of Global Warming and the lack of reversible time left. Afterwards, Michael is seen conversing with Ortega, his dancers and band about the shows, trivial dance moves and his hopes for the concert series. He then performs a quick version of his song "Billie Jean" featuring an extra dance sequence. Michael is then seen talking to all crew members and wishing everyone the best for the London performances. At a sound check, Jackson performs "Man In The Mirror" with strong backing vocals. The film ends with Jackson with his arms extended on stage with the message: "Michael Jackson King of Pop Love Lives Forever
    

This Is It


            
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Gaga: Five Foot Two

Herbie Hancock: Possibilities

America the Beautiful


            After years of yearning for the girl next door, Artie finally builds the courage to woo her...only to find out the girl of his dreams and best friend, April, is moving away - sending Artie into a deep depression. Five years later, the emptiness subsides and the lion inside tells Artie to "go find April and make her yours." Empowered and eager to find April, Artie crashes his car on the way...and wakes up a week later in the middle of a zombie outbreak. Now it's up to Artie and his ever-growing courage to find April - no matter what cannibalistic creature steps in his way...
By: Brent Tarnol
    

April Apocalypse


            "The Drop Squad" is a secret underground group of blacks dedicated to "deprogramming" fellow blacks whom they feel have wandered too far into the white culture, leaving their brothers behind. Their method is to kidnap offenders, subjecting them to deprogramming.ROCKY heads up the squad, but he's in conflict with partner GARVEY over how the deprograming should go. Rocky is for non-violent means, such as subjecting the subject to a barrage of slides, posers, slogans and family photographs that encourage alliance with their black heritage. Garvey favors a more violent approach, subjecting them to torture, humiliation and physical discomfort.Attractive young LENORE JAMISON, 30s, worries about the brother, BRUFORD JAMISON, whom she loves very much. Bruford works for a high-powered ad agency. Successful there, he's currently turned out advertisements filled with offensive black stereotypes. There's an ad for "Mumblin' Jack" malt liquor, featuring a black woman in a bikini straddling a bottle of beer with the slogan, "It Gits Ya Crazy!" Another ad is for a fried chicken franchise that features the "Gospelpack," offering a Bible verse on napkins served with take-out chicken dinners.Thinking her brother needs help, Lenore makes contact with Garvey at a diner, asking that they deprogram her brother Bruford, because she feels he's strayed too far from their family and heritage. Thus, they grab Bruford, hustle him into a van, taking him to a secret location. With Garvey in charge, they subject Bruford to several days of violent beatings, harassment, and torture. There are other black men being tortured there for the same reason, including a corrupt politician, COUNCILMAN JENKINS and a corrupt evangelist, REVEREND BEEKINS.Bruford's backstory is told in flashbacks that are intercut with the Drop Squad torture sequences. We see how Bruford got the job at the agency. We see him in conflict there with fellow black employees, who object to his racist advertisements. It's also shown that Bruford once was close to his good-natured but unemployed cousin, FLIP. Flip asked Bruford for a job at the agency, but Bruford was reluctant to set him up. Bruford figures he himself is safe, whereas he fears Flip will be anything but.The Drop Squad torture and humiliation of Bruford continues. Among other things, they show him old home movies. In spite of his discomfort, he cannot help but be touched and smile at this. Meanwhile, Rocky and cohort TREVOR, travel to Maryland to look into Bruford's past. They talk to his UNCLE, who fills them in on what happened between Bruford and Flip.Flashbacks continue, showing Bruford in conflict about his ads with black colleagues. On a visit home to a family reunion, Bruford shows his fried chicken ad to his family, all of whom find it offensive. It was at this time sister Lenore decided to take matters in her own hands and call the Drop Squad.In the present, Lenore wants her brother released, as she feels it's gone on too long. She doesn't know the violent tactics they're employing. Rocky and Trevor return from their trip, interrupting Garvey's violent session with Bruford. Rocky isn't happy with his tactics. Nonetheless, Rocky has brought something to show Bruford. It's a surveillance video taken at Bruford's company the day Flip showed up looking for a job and telling them Bruford would vouch for him. Bruford didn't take the call, blowing off his cousin, who, riled, was escorted out by SECURITY. Rocky has brought Flip with him, and he forgives Bruford, offering to take him home once Rocky tells Garvey to let him go. Bruford harbors resentment that his sister Lenore turned him in, although she swears she didn't know the treatment that he'd get. She says they wanted him back, but Bruford insists he never went away. Rocky tells Garvey he's moving on, but Garvey stays with the squad, kidnaping yet another black man believed to have moved too far from his heritage.
    

Michael Bearden

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