
            Nine years have passed since the events of Before Sunrise, when Jesse (Hawke) and Celine (Delpy) had met in Vienna. Since then, Jesse has written a novel, This Time, inspired by his time with Celine, and the book has become an American bestseller. To help sales in Europe, Jesse does a book tour. The last stop of the tour is Paris, and Jesse is doing a reading at the bookstore Shakespeare and Company. As Jesse talks with his audience, flashbacks are shown of him and Celine in Vienna; the memories of their night together have clearly remained with him despite it being nine years later. Three journalists are present at the bookstore, interviewing Jesse: a romantic who is convinced the book's main characters meet again, a cynic who is convinced that they don't, and a third one who, despite wanting them to meet again, remains doubtful they actually do. They represent the three possible ways a viewer might guess what the aftermath of Before Sunrise might be, according to his or her own personality. Celine appears in the audience and sees him, and he, in turn, recognizes her. Jesse has a short time before his plane departs and invites Celine to share it with him.However, once the presentation is over, the bookstore manager reminds him he's got a plane to catch and must leave for the airport in a little more than an hour, and so just like in Before Sunrise, Celine and Jesse's reunion is constrained by time. Just like in the prequel, the characters are thus forced to make the best of what little time they have together, and this makes it easier for their conversations to become ever more personal, starting out with the usual thirty-something's themes of work and politics and then, with ever increasing passion, approaching their love for each other, just as their time together is running out.As they talk, each reveals what has happened since their first meeting. Both are now in their early thirties. Jesse, now a writer, is married and has a son. Celine has become an advocate for the environment, lived in America for a time, and has a boyfriend, a photojournalist. It becomes clear in the course of their talk that both are dissatisfied to varying degrees with their lives. Jesse reveals that he only stays with his wife out of love for his son. Celine says that she does not see her boyfriend very much because he is so often on assignment.Early in their conversation, they broach the subject of why they did not meet as promised, six months after their first encounter. It turns out that Jesse had returned to Vienna as promised, but Celine did not, because her grandmother had suddenly died before the scheduled date of the meeting. Because Jesse and Celine had never exchanged addresses, there was no way for them to contact each other, which resulted in their missed connection.Their conversation as they traverse Paris places them in various venues, including a café, a garden, a bateau mouche, and Jesse's hired car for his stay in Paris. Their old feelings for each other are slowly rekindled, even with tension and regret over the missed meeting earlier, as they realize that nothing else in their lives has matched their one night together in Vienna nine years prior. Jesse eventually admits that he wrote the book in the distant hope of meeting Celine again one day. She replies that the book brought back painful memories for her. At one point, in the hired car, during a tense moment when Jesse is confessing his loveless, near sexless marriage, Celine reaches her hand out to touch Jesse but pulls back just as he turns to her.In the concluding scene, Celine and Jesse arrive at her apartment. Jesse had learned that Celine plays the guitar and persuades her to play a waltz song for him. The waltz (which was written by Julie Delpy herself) is revealed through the lyrics to be about their brief encounter.Jesse then plays a Nina Simone CD on the stereo system. Celine dances by herself to the song "Just in Time" as Jesse watches her. As Celine imitates Simone, she mutters to Jesse, "Baby ... you are gonna miss that plane." As the camera slowly pans in, Jesse smiles while nervously fidgeting with his wedding ring and ambiguously responds, "I know," leaving the viewer to guess whether he stays or leaves, just like the three journalists who interviewed Jesse at the beginning of the film.
    

Before Sunset


            The film starts with Jesse meeting Céline on a train from Budapest and striking up a conversation with her. Jesse is going to Vienna to catch a flight back to the United States, whereas Céline is returning to university in Paris after visiting her grandmother.When they reach Vienna, Jesse convinces Céline to disembark with him, saying that 10 or 20 years down the road, she might not be happy with her marriage and might wonder how her life would have been different if she had picked another guy, and this is a chance to realize that he himself is not that different from the rest; in his words, he is "the same boring, unmotivated guy." Jesse has to catch a flight early in the morning and does not have enough money to rent a room for the night, so they decide to roam around in Vienna.After visiting a few landmarks in Vienna, they share a kiss at the top of the Riesenrad ferris wheel at sunset and start to feel a romantic connection. As they continue to roam around the city, they begin to talk more openly with each other, with conversations ranging from topics about love, life, religion, and their observations of the city.Céline tells Jesse that her last boyfriend broke up with her six months ago, claiming that she "loved him too much". When questioned, Jesse reveals he had initially come to Europe to spend time with his girlfriend who was studying in Madrid, but they had broken up when she was avoiding him while he was there. He decided to take a cheap flight out of Europe, out of Vienna, but it didn't leave for two weeks so he bought a Eurail pass and traveled around Europe.When they are walking alongside a canal they are approached by a man who, instead of begging, offers to write them a poem with a word of their choice in it. Jesse and Céline decide on the word "milkshake", and are soon presented with the poem Delusion Angel (written for the film by the poet David Jewell).In a cafe, Jesse and Céline stage fake phone conversations with each other, playing each others' friends they pretend to call. Céline reveals that she was ready to get off the train with Jesse before he convinced her. Jesse reveals that after he broke up with his girlfriend, he bought a flight that really wasn't much cheaper, and all he really wanted was an escape from his life.They admit their attraction to each other and how the night has made them feel, though they understand that they probably won't see each other again when they leave. They simply decide to make the best of what time they have left, ending the night with the implication of a sexual encounter between them. At that point, Jesse explains that if given the choice, he'd marry her instead of never seeing her again. The film ends the next day at the train station, where the two hastily agree to meet together at the same place in six months as the train is about to leave.
    

Before Sunrise


            Nine years after the conclusion of Before Sunset, Jesse and Celine live in Paris as a couple, parents to twin girls conceived when they got together. Jesse is also struggling to maintain his relationship with his teenage son Hank, who lives in Chicago with Jesse's (now) ex-wife and who, after spending the summer with Jesse and Celine on a Greek island, is being dropped off at the airport to fly home. Jesse has continued to find success as a novelist, while Celine is at a career crossroads, considering a job in government.When Jesse drops his son, Henry ("Hank") off at the airport, he promises to visit him in the near future so he can see him perform at a school music recital. Henry is reluctant and tries to discourage his father from coming because it will upset his mother. Henry says he isn't worried about his mother getting upset about she & his father meeting face-to-face, but is worried about how it will effect himself. Jesse is left feeling confused. Outside the terminal, Jesse meets up with Celine and the two get in their car and drive home. As the camera pulls back from the driver's seat, we see that Jesse and Celine have twin daughters.
    

Before Midnight


            Julie, wife of the famous composer Patrice de Courcy, must cope with the sudden death of her husband and daughter in an automobile accident she herself survives. While recovering in the hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from the hospital, Julie closes up the house she lived in with her family and takes an apartment in Paris without telling anyone, or keeping any clothing or objects from her old life, except for a chandelier of blue beads that presumably belonged to her daughter.For the remainder of the film, Julie disassociates herself from all past memories and distances herself from former friendships, as can be derived from a conversation she has with her mother who suffers from Alzheimer's disease and believes Julie is her own sister Marie-France. She also destroys the score for her late husband's last commissioned, though unfinished, work: a piece celebrating European unity, following the end of the cold war. Snatches of the music haunt her throughout the film.Julie reluctantly befriends Lucille, an exotic dancer who is having an affair with one of the neighbors and helps her when she needs moral support when the tennants in their apartment building want to evit her . Despite her desire to live anonymously and alone, life in Paris forces Julie to confront elements of her past that she would rather not face, including Olivier, a friend of the couple, also a composer and former assistant of Patrice's at the conservatory, who is in love with her, and the fact that she is suspected to be the true author of her late husband's music. Olivier appears in a TV interview announcing that he shall try to complete Patrice's commission, and Julie also discovers that her late husband was having an affair with a younger woman.While both trying to stop Olivier from completing the score and finding out who her husband's mistress was, Julie becomes more engaged despite her own efforts not to be. She tracks down Sandrine, Patrice's mistress, and finds out that she is carrying his child. Julie arranges for her to have her husband's house and recognition of his paternity for the child. This provokes her to begin a relationship with Olivier, and to resurrect her late husband's last composition, which has been changing according to her notes on Olivier's work. Olivier decides not to incorporate the changes suggested by Julie, stating that this piece is now his music and has ceased to be Patrice's. He says that she must either accept his composition with all its roughness or she must allow people to know the truth about her composition. She agrees on the grounds that the truth about her husband's music would not be revealed as her own work.In the final sequence, Julie and Olivier are having sex while the Unity of Europe piece is played (which features chorus and a solo soprano singing Saint Paul's 1 Corinthians 13 epistole in Greek), and images are seen of all the people Julie has affected by her actions as she faintly smiles through her tears.
    

Three Colors: Blue


            After opening with a brief, seemingly irrelevant scene of a suitcase on an airport carousel, the story quickly focuses on a Paris divorce court where Polish immigrant Karol Karol (Zbigniew Zamachowski) is pleading with the judge (the same legal proceedings that Juliette Binoche's character Julie briefly stumbled upon in the previous film 'Blue'). Despite his difficulty in understanding French, Karol is made to understand that his French wife Dominique (Julie Delpy) does not love him. The grounds for divorce are humiliating: Karol was unable to consummate the marriage. Along with his wife, he loses his means of support (a beauty salon they jointly owned), his legal residency in France, and the rest of his cash in a series of mishaps, and is soon a beggar living on the streets. He only retains a 2-franc coin that he got as change from the phone while trying to speak with his now ex-wife.In a Paris Métro station, performing songs for spare change, Karol meets and is befriended by another Pole, Mikoaj (Janusz Gajos). While Karol has lost his wife and his property, Mikoaj is married and successful, he offers Karol a job consisting of killing someone who wants to be dead but does not have enough courage to do it himself. Through a hazardous scheme, Mikoaj helps him return to Poland hidden in the suitcase shown at the beginning of the film, which is later stolen by employees at the airport. The airport thieves, eager to find something valuable inside their stolen trunk, are angry when they open it and they find Karol inside. The thieves beat up Karol and leave him behind in a nearby garbage dump.Despite his mishap, Karol returns to working as a hairdresser with his brother (Jerzy Stuhr) whom he now moves in with. After a while, Karol, no longer content to working at his brother's salon, quits his job and sets up to make himself a pot of cash in newly capitalist Poland. Karol takes another job as as a bodyguard in a seemingly innocent cash exchange office. Mikoaj meets Karol in a Warsaw Metro tunnel for the execution of the "suicide", it turns out to be that Mikoaj is the intended victim and asks Karol to kill him. Karol shoots a blank into Mikoaj's chest and asks him if he really wants to go through with it as the next bullet is real. Mikoaj refuses and is able to feel alive again. Using his position as a deceptively foolish bodyguard, Karol spies on his bosses and discovers their scheme to purchase different pieces of land that they knew were going to be targeted by big companies for development and resell for large profits. Karol beats them to it, and then tells his ex-bosses that if they kill him all his estate shall go to the Catholic Church, and they are therefore forced to purchase all the land from him. With the money he gained from this scheme and with the payment from Mikoaj, the two go into business (of a vaguely defined but possibly illegal nature) together.Karol becomes ruthlessly ambitious, focusing his energies on money-making schemes while learning to speak French and brooding over his wife's abandonment. He uses his new financial influence in a world where, as several characters observe, "you can buy anything" to execute a complex scheme to first win back Dominique, and then destroy her life.Karol takes his revenge against his ex-wife by faking his own death after which she shows up for his funeral. Karol then sneaks into her hotel room and has sex with her to prove his potency again. Then afterwords, Dominique is arrested and imprisoned for his 'murder'. The final image of the film shows Karol secretly visiting his wife in prison and staring at Dominique through the window of her prison cell. Karol then suddenly feels ashamed at himself for this revenge plot against his wife and openly cries... realizing that he must finally let go of her in order to move on with his own life.
    

Three Colors: White


            Sherry, the girlfriend of the former "Don Juan," successful older businessman Don Johnston, ends their relationship. At around the same time, he receives an anonymous pink letter revealing to him that he has a nineteen-year-old son, but he has no clue as to who the mother might be. Don's friend and neighbor ,Winston, an aspiring "Sherlock Holmes," compiles a list of Don's former girlfriends and presses a plan for a cross-country trip to meet each of them and subsequently learn the identity of the son.A reluctant and emotionless Don, armed with flowers, first visits the widow, Laura, preceded by her teenage daughter, Lolita, who affronts him by appearing naked in an asexual context in a show of emancipation at his expense. Laura herself, however, is the one person who treats him humanely and as a sexual being. Then he meets the successful real estate agent Dora and her husband Ron and they have an uncomfortable dinner together, with Don as a third wheel. He next takes flowers to the office old flame Dr. Carmen, now a writer on the psychology of pets and a communicator with animals, (based on her 'relationship' with a deceased canine.) Her much younger secretary gives Don a markedly icy reception supposedly because of his unannounced arrival. He unapologetically imposes on Carmen's schedule, but despite his best efforts he can not penetrate her armor. And the secretary, as an afterthought, returns the flowers. Lastly, he plies his charms with Penny, yet another example of resentment, living in the woods with a pair of younger motorcycle toughs, one of whom, on the pretense of gentlemanly concern about what he makes out to be insensitivity towards Penny, cold-cocks Don Johnston. Johnston wakes up in his car with the flowers broken.A little desperate now, he makes the brief acquaintanceship of a young, kind-hearted lady florist, Sun Green, who begins to show some inclination towards tenderness, although she finds his name, Don Johnston, impossibly quaint. Back on the street, unshaven and looking increasingly like a bum, Johnston has a brief encounter with a young male hitchhiker for whom he buys a sandwich, but then makes an awkward comment how the hiker, who has been brought up in a Fatherless setting, must think Don is his Father! This goes over about as poorly as every other attempt at expression by Johnston. It now becomes clear that while Don's perception of everyone from his past as blatantly neurotic is pretty accurate, Don Johnston himself, with the romantic supports of his youth withdrawn and standing lost perilously in traffic, is also himself a pretty spurious and expendable character in the eyes of the world, or at least for the moment his odyssey has brought him to that pass. Don ultimately returns home without solving the mystery but realizing that his past is lost irretrievably.Written by Claudio Carvalho, Rio de Janeiro, Brazil
    

Broken Flowers


            
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The Bachelors

Two Days in Paris

Voyager

Skylab

Killing Zoe


            The Hungarian Countess Elizabeth Bathory, wife of General Ferencz Nasady. They lived in the Carpathian mountains in the early 1600's. Elizabeth was convinced that drinking and bathing in the blood of young virgins would preserve her beauty. Her small army of henchmen roamed the countryside, kidnapping unfortunate girls who were then killed and drained of their blood in Elizbeth's castle. Convicted in 1611 of murdering at least 50 girls, Bathory was sealed in a room, fed through a hole in the door and lasted 4 years before dying.
    

The Countess

Frankenstein

Villa des roses

My Zoe

Two Days in New York

Wiener-Dog


            The film begins with a night view of New York. It's the funeral of Ayn Rand (Helen Mirren), the renown novelist. It's on 8th March 1992. The lady who speaks was her best friend, but because of their falling out, she has to wait outside in the cold to see the body, with many other fans of the writer. Finally, the doors are opened by the funeral director (John Lefebvre). Another lady (Katherine Trowell) at the funeral comments that Ayn Rand wouldn't have liked that display of popular sentimentalism. A security guard (Robert Thomas) appears to tell the ladies to keep on moving.Los Angeles, 1951. The door bell keeps ringing. Frank O'Connor "Frank Rand" (Peter Fonda), with a bouquet of flowers on his hand, opens up the door. A young couple wants to talk to Ayn Rand. She appears, dressed almost as a man. The young couple introduce themselves: they are Nathaniel (Eric Stoltz) and Barbara (Julie Delpy) Branden. They want to interview her about the social and psychological implications of her novels. Ayn uses them as examples of the young fresh people who read her novels. Returning home, Barbara says that she's felt as though Rand could read her innermost hidden thoughts. Nathaniel and Barbara kiss on the car, but she prevents her from going further. He has taken her back home: it looks that they are an unmarried couple.Later, Ayn Rand and Barbara have a conversation, and the former concludes that Nathan is the perfect man for Barbara, but the young girl doesn't feel love within her. Rand says she sees herself in Barbara's confusion. Barbara promises not to disappoint Rand ever. They return to the cocktail party. There, Nathan hears about Rand's new novel, entitled Atlas Shrugged . The man who wanted to write a script about Rand's previous novel is pushed to quit the project because he feels guilt - a feeling which Rand doesn't approve of.A scene of Barbara and Nathan making love. Next step, it's their wedding. Rand attends the wedding and dances with Nathan. She starts to feel that Nathan may be the person who will carry on her work. When she tries to speak to Frank, he's busy gardening. Ayn tells him that she wants to live in New York. However, Fran loves their mansion in the countryside. Ayn tries to make love to him passionately to convince him. She shouts to him "Why do you always have to ask for my permission?", so he tears her beautiful dress into pieceds.New York. 3 months later. During a taxi ride, Nathan reads Rand's book. Barbara writes in her diary about her own identity problems. The marriage calls on Frank and Ayn. She says that the dollar sign is her god. Nathan confides to Ayn that Barbara feels confused and needs guidance.That night, Nathan tries to make love to Barbara, but she is a bit passive, as usual. That night, Nathan doesn't want to make the effort. Barbara feels that she always has to fit an ideal. Barbara is outraged that he has talked about their bedroom problems to somebody outside the marriage. Each one of them sleeps feeling angry towards the other.In a later party, Barbara notices that Frank is sad and depressed as well, because he's having problems in his marriage too. Meanwhile, Ayn chain-smokes while writing her novel. She gets stuck because of her personal problems. Finally, she picks up the receiver to make a phonecall. She confides in Nathan. They both stay behind, sitting, while Barbara and Fran ice-skate. Barbara notices them whispering and smiling, as if they were in love.Once alone with her husband, Barbara tells him that Ayn Rand was in love with him. Nathan denies to be in love with her: he mentions that she's 25 years older than him. He says that Barbara's fears are ridiculous. He encourages her to control her emotions. At the same time, Ayn gives the silent treatment to Frank.Nathan finally visits Ayn Rand. At first, she feels outraged of having been misunderstood by Barbara. However, she finally puts it out there: she says she loves him. They kiss.Another day, Ayn defends her idea of lesser people having to accept the moral superiority of higher people like herself. She is proposing to maintain both marriages but allowing herself to have Nathan as lover. Her words about love come down to being proposing open marriages. Frank refuses to oblige with "this insanity". Nathan tries to talk to Barbara, telling her that he loves her, but that he must be with Ayn as well. Frank takes it the works, but at least Barbara offers her arm in consolation. Frank looks defeated, remembering how Ayn used to tell him that he was her ideal for a man. They both talk at a bar. Frank wasn't sure that was equal to love, but he accepted that. He also recognises that, at 54, he's got no job of his own, he's got no higher education: their lifestyle is financed by her on her own. He's got nowhere to go, so he's got no other choice. He tells Barbara that she's got a choice. Finally, Frank and Barbara decide to accept that Ayn and Nathan must meet twice a week at her mansion. Barbara can't stand Nathaniel to touch her, but Ayn is extra-warm towards Frank. While they are leaving, Nathaniel makes promises of love towards Barbara. She knows him and he loves her.Cut to Nathan and Ayn making love: this causes Ayn to enter a period of high creativity. She writes her ideology of love within her books. They see each other, and Nathan and Ayn go at it like rabbits in heat.Ayn sees her novel to spiral out of control in number of pages. She questions Caroline (Sybil Temchen) and other students about love. David (Donald Carrier) and other students (Tomas Chovanec, Patrick Garrow, Aviva Armour-Ostroff, Tara Meyer, Sergio Di Zio) are discussing the matter of love. Caroline wanted to become a teacher to teach others, but Ayn rejects that view, stating that Caroline is looking for appraisal according to her disposal to think of others before herself. Ayn throws another of her diatribes, this time addressing Barbara, who seems to feel dizzy. Meanwhile, a waiter (Daniel Enright), keeps on serving wine around them. Ayn says that the physical symptoms Barbara has been feeling arise from her anxiety. Caroline is eager to do whatever it takes to get better. Nathan tells her that she's not putting effort in getting better. Barbara leaves but Nathan does not go with her, not even to check that she's all right. Barbara has sweaty hands, breathes heavily, feels everything moving around here... Meanwhile, Ayn and Nathan are at it. Ayn picks up the phone, and Barbara asks her to visit them. However, Ayn gets furious, saying that it's all Barbara's fault, that she's brought her condition onto herself, that she knows that this is Ayn and Nathan's time... and Ayn hangs up violently. Barbara cries and has a panic attack. A man knocks on the phone booth and asks her whether she's alright. When Nathan arrives home, he enquires about the treatment of Barbara's illness.Barbara tries to please Nathan, but it's not working. Nathan keeps on treating Caroline, who wants to stop worrying about anybody else's.All of a sudden, Ayn finishes  Atlas Shrugged , after 12 years. Frank and Ayn dance to celebrate it, while Nathan keeps on staring at them, full of jealousy. Frank gives a painting to Ayn as a present. Ayn is very rude to people and rejects a price she's offered. Nathan makes a toast saying how important it was for him to meet his idol, Ayn Rand. She gets up and says that the people who surround her are all heroes and heroines, and also says that her ideology will not have preponderance during her own lifetime. She calls Nathaniel her inheritor. The waiter keeps on bringing liquor to Frank. Nathan finds Frank completely downtrodden and drunk at the end of the party.Caroline reads what she's written, to the effect that she won't care about other people's feelings. She tells Frank, her psychiatrist, that she can't stop thinking about him. They kiss, but Frank says that that can never happen. They separate themselves, only to end up making love in bed.Richard (Tom McCamus) phones Barbara and asks her to see him. For the first time in a huge amont of time, Barbara looks happy. In front of a billboard announcing Bill McManus, they see  Atlas Shrugged  in the shop window of a book shop.A journalist (David Ferry) interviews Ayn, who defends that better people have been enslaved by the morality of poorer people, who should not be taken into account. People should be selfish, Ayn says, and until they are, America won't get better. Barbara watches on her own. Ayn only loves reason. Rand has to defend herself of bad critics, who calls her a fascist.When Frank takes dinner to her in her bedroom, she complains that nobody defends her or her books. Frank is in silence, and sighs. He leaves her crying. Frank turns to painting when Nathan arrives. He gives a massage to her. The Brandens give conferences about Rand's ideology. A young man (Andrew Dolhan), asks Ayn Rand to make an outline of her philosophy standing on one leg. He's vooed by the audience, but Ayn Rand complies.Barbara has realised that there's something between Caroline and Nathan, so she pursues Richard. They kiss passionately. Barbara asks Nathan permission to see Richard, but he thinks that it's a way of degrading herself, as Richard is so below him. Barbara tells him that she knows about Caroline. Even though he denies everything and calls Barbara paranoid, Nathan is worried of Barbara telling Ayn about it. Richard and Barbara see each other. Caroline also wonders what she means to Nathan. They kiss, and she says she loves him.Los Angeles, 1964. Rand talks about her novels and ideology. People argue with her ideas. In a private dinner afterwards, Nathan wants to discuss business, but Ayn realises that he's changed towards her a lot. Nathan says that his marriage is falling apart because Barbara can't change her petty views. Ayn recommends Nathan to free himself for once and all. A young waiter interrupts the conversation to ask Rand for an authograph.Nathan looks at Caroline, who now works at the Branden Institute. Finally, Nathan admits that he's been sleeping around with Caroline to Barbara. Barbara thinks he's got no principles at all. Barbara wants a divorce.Frank explains a painting to Barbara. Ayn asks Barbara why Nathan's love is lost to her, meaning to Ayn. Caroline tells Nathan, who's giving out a conference, that he must see Ayn at once. He leaves the conference unfinished. Ayn feels humiliated, because Nathan owes all his success to her. Nathan has fallen in love with Caroline. Ayn slaps Nathan three times and puts him out of her house immediately. [That's what Barbara should have done a long time ago]. Barbara tries to offer some consolation, but Frank does nothing, as usual.Frank goes out to the conference room, where he says that he has broken up with Ayn Rand, but that shouldn't matter to the supporters of positivism. His nose bleeds while he speaks. He resigns from the institute. Barbara hugs Nathan. Caroline appears, and even though Barbara stares hard at her to make her go, it's finally Barbara who leaves. When Caroline hugs him, Nathan whispers that he's free at last.Ayn wants to destroy Nathan. Finally, Barbara stands up to Ayn, who's on a hunt for Nathan's head. Barbara asks Ayn to show compassion; she also asks Frank to speak on Nathan's behalf, but Frank, drinking as much as usual, says he's never understood anything. Barbara decides to leave Ayn for good, to which Ayn coolly replies that she's disappointed on her.Los Angeles, 1981. Miss Rand answers questions wittyly in a conference, until somebody asks her what the nature of love is. At the beginning, she's confused, and thinks that it's a young Nathaniel Branden who's asked her that. She says that it's the command to rise to one's potential, that it's the greatest moral achievement and that people love superior things.Years later, Barbara takes some flowers to the tombstones of Frank O'Connor (1897-1979) and Ayn Rand O'Connor (1905-1982). Barbara leaves with her new partner.Images of the Chrysler building and New York at night.---written by KrystelClaire
    

The Passion of Ayn Rand


            On holiday in the south of France, chic Parisian sophisticate Violette meets life-loving IT geek Jean-René. Against all odds, theres a real chemistry between them and at the end of the summer, Jean-René wastes no time in joining his beloved in Paris. But theres trouble in paradise, and a third party swiftly appears to shatter the couples idyll - Lolo, Violettes ultra-possessive 19-year-old son, who is determined to get rid of his mothers lover, whatever it takes...
    

Lolo


            Andy McDermott (Tom Everett Scott) is a tourist seeing the sights of Paris with his friends Brad (Vince Vieluf) and Chris (Phil Buckman). When Serafine Pigot (Julie Delpy) leaps off the Eiffel Tower just before Andy is about to bungee jump, he executes a mid-air rescue. She vanishes into the night, leaving Andy intrigued - unaware that she is the daughter of David Kessler and Alex Price, the couple seen 16 years earlier in the first film. That night, Andy, Chris, and Brad attend a night club called "Club de la Lune". The club's owner, Claude (Pierre Cosso), is actually the leader of a werewolf society that uses the club as a way to lure in people (preferably tourists) to be killed. Serafine arrives, tells Andy to run away and transforms into a werewolf. Claudes henchman transform into werewolves as well, and slaughter all the guests. Chris escapes and goes back to Serafine's house. Brad is killed by a werewolf, and Andy is bitten by another werewolf when he tries to escape.The next day, Andy wakes up at Serafine's house. Serafine blends organs in the blender, and he is still in shock, but Serafine allows him to feel her breasts to calm him down. She tells him he's transforming into a werewolf. This is interrupted by the sudden appearance of the ghost of Serafine's mother Alex. Andy jumps out the window in sheer panic and begins running away. Chris tries to get his attention, but Claude grabs him and holds his hand over his mouth and takes him back to his club. Soon, Brad's ghost appears to Andy and explains Andy's werewolf condition. For Andy to become normal again, he must eat the heart of the werewolf that bit him; and, for Brad's ghost to be at rest, the werewolf that killed him must be killed, too. After developing an appetite for raw meat, Andy hooks up with an American tourist named Amy (Julie Bowen), but he transforms and kills her. Andy also kills a cop who had been tailing him, suspecting Andy was involved in the Club de la Lune massacre. Andy is arrested but escapes. He begins to see Amy's ghost as well, and she begins trying to kill him.Claude and his henchmen kidnap Andy to join their society but to prove his loyalty, Andy must kill Chris. Serafine rescues Andy, explaining that her stepfather prepared a drug to control werewolf transformations. However, the drug forces werewolves to immediately transform into their beast form. As a result, she killed her mother and savaged her stepfather. Claude and the other werewolves raid Serafine's stepfather's lab and kill him, taking the drug to transform immediately.Serafine and Andy learn of a Fourth of July party Claude has planned and infiltrate it as well as the police. Serafine manages to kill the bouncer (who has blocked the entrance with a bulldozer) by dropping a stone statue on him from outside the church. Claude and his men transformer and several partygoers are killed as well as cops. They help the partygoers escape, and Andy manages to kill the werewolf that ate Brad's heart, thus setting Brad free. Police reinforcements arrive, and a fight ensues. Andy and Serafine pursue the werewolves into the catacombs as well as the police resulting in the death of the Chief of police, with Serafine shifting to her werewolf form to fight when she runs out of ammunition. During a fight between Serafine and another werewolf which she manages to kill, Andy shoots the werewolf, but it turns out that it was Serafine. Injured and in alot of pain she begs him to kill her with a switchblade but he is unable to as he loves her, and police who arrive on the scene assume that he is trying to kill her before he escapes to go after Claude as he's the last werewolf.
Andy accidentally slips and falls through a shaft landing on the subway tracks
Claude makes his way down the shaft towards Andy but before he's able to attack him a train slams into him however he manages to survive killing the conductor and a passenger before the effects of the depressant wear off, causing him to transform back to a human. He tries to take another dose of the drug, but Andy stops him. As they fight, Andy discovers that Claude is the werewolf that bit him (due to a scar on his left shoulder caused when Andy stabbed the werewolf with a spear). Claude tries to inject himself with the drug but Andy manages to stop him and they fight fight over the syringe accidentally causing Claude accidentally injects Andy instead. Realizing what he's done a terrified Claude tried to run away but Andy turns out to be quicker jumps on top of Claude transforms into a werewolf, kills him and eats his heart and howls, breaking the werewolf curse over him. Serafine is taken in an ambulance, but she begins to show signs of transforming. The EMT, thinking she is going into shock, administers adrenaline, which stops the transformation. The sedative, which was thought to be the "cure", actually triggered the change and adrenaline has the opposite effect.The final scene depicts Serafine and Andy celebrating their wedding atop the Statue of Liberty with Andy's pal Chris, who survived. The couple seem to be controlling the curse with a steady application of adrenaline-fueled activities. They bungee jump off the statue as the credits roll.In an alternate ending, after Andy eats Claude's heart, Serafine has a vision of her stepfather in the back of an ambulance, explaining how he found a cure before his death. The new closing scene shows Serafine and Andy having a child, whose eyes shift to look like the werewolves'.
    

Julie Delpy

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