
            It was one of the most iconic buildings in New York history and only a handful of people had ever been inside it...Until now. Discover the Man, Behind the building. -- Jay Myself: Photography, The Bank and Me. A film by Stephen Wilkes. Official Selection of DOCNYC.Jay Myself is a documentary feature about renowned photographer and artist, Jay Maisel, who, in February 2015 after 48 years, begrudgingly sold his home; the 35,000 square-foot, 100-year-old landmark building in Manhattan known simply as "The Bank." The film documents Jay's monumental move through the eyes of filmmaker and Jay's protege, noted artist and photographer Stephen Wilkes. It is through this intimate lens that the viewer is taken on a remarkable journey through Jay's life as an artist, mentor and man; a man grappling with time, life, change, and the end of an era in New York City.
    

Jay Myself


            
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            Felipe has come to a crossroads. After 16 years in Brooklyn, working three low-paying
jobs and collecting bottles on the street in his spare time and sending the bulk of his earnings home to his family in Mexico, he's decided to return to his wife and the children he hasn't seen in almost two decades. But when he informs his family of his homecoming, he discovers that they've squandered the money, are deeply in debt and don't want him to return. They need him to stay in the US, continuing to earn. Shot over two years in the heart of Brooklyn's immigrant community, "I'm Leaving Now" is a searingly intimate portrait of one undocumented worker on the margins. A blend of documentary with some fictional elements, the film allows the rhythms, emotions, and sounds of Felipe's life and the city to drive the story, utilizing a structure and a style often not seen in documentaries. Impressionistic, cinematic and with the city as its soundscape, the film pushes the boundary of how documentary can capture the lives of the unseen, ultimately elevating this one lonely man's story into a lyrical meditation on themes of family and home, loneliness, and love. As Felipe debates whether to stay or go, the film builds to a heartbreaking portrait of the struggle and drama that exist in the lives of the often invisible figures toiling away in the kitchens, hotel rooms and construction sites of our biggest cities. Eschewing politics, the film is political nonetheless - a quiet and unforgettable snapshot of one man held in suspension between a world of endless work and a faraway home.
    

Josh Alexander

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