
            Brian Sweeney Fitzgerald (Klaus Kinski), called Fitzcarraldo by the local natives in the South American rubber capital where he lives, has a dream to create an exotic opera house so that the music of Caruso, and Pucinni, and Wagner can be brought to the wilderness. As he and his girlfriend Molly (Claudia Cardinale), the madam of the top brothel in the city, run to see a local opera performance, Fitzcarraldo manages to get the attention of a local financier Don Aquilino (José Lewgoy) and gets to create a plan to finance his dream. Using Molly's money Fitzcarraldo buys a boat and goes up the Amazon River to a jungle inhabited by Indians intent on killing any white men who enter. Becoming awed and subdued by Fitzcarraldo in his white suit and the music of Caruso, the Indians accept the blond entrepreneur as a god and do his bidding. At this juncture of the Amazon the river is separated from another of its legs by a few miles of mountains so the Indians are enlisted to drag the 180-ton ship from the river and over the mountains to the other leg in order to facilitate rubber transportation. During the task Indians are used as slaves, with the ultimate goal of building the opera house. As trees are felled and mountains are dynamited Fitzcarraldo struggles to realize his obsessive dream to bring opera music to the jungle.
    

Fitzcarraldo


            In a Latin American prison somewhere in Brazil, an effeminate window dresser named Luis Molina (William Hurt) recites the story of his favorite movie to his cellmate, Valentin Arregui (Raul Julia), a bold and austere political prisoner. Molina embellishes the romance to escape the brutality of prison life, describing a torrid World War II love affair between a French chanteuse, Leni Lamaison (Sonia Braga), and a German captain named Werner (Herson Capr). As Molina describes Leni's conflict between passion and conscience, Arregui protests that the film is Nazi propaganda. Molina's homosexuality, and his sentimental interpretation of fascist cinema, are repulsive to Arregui, but the two begin to develop an unlikely friendship. Arregui admits his concern that the warden has stopped his interrogation, and fears officials will go after his girl friend for intelligence. Molina reveals that he was imprisoned for seducing a minor (a little boy), and longs for a world in which he is free to love without persecution.One day, Molina is called to the warden (José Lewgoy), and reports back to Arregui that his mother is ill with a weak heart. He fears his transgression has caused her to suffer, and may precipitate her death. When the men are provided food trays with disproportionate servings, Arregui insists that Molina take the larger portion. As he reluctantly eats, Molina encourages his cellmate to write a letter to his girl friend, but Arregui does not wish to expose her to the government, and refuses to mention her name.Referring to the brutality of his captors, Arregui questions why they have kept him alive, and believes they are developing sinister new tactics to induce his confession. Impressed by Arregui's dedication to his girl friend, Molina cries about his failure to find love, and remembers a waiter with whom he was infatuated.One day, Molina becomes violently ill, and convalesces in the infirmary. When he returns to the cell, Arregui suffers the same symptoms and realizes the food has been poisoned. Molina insists on calling the guards for help, but Arregui protests, knowing that he will be drugged to reveal the identities of his fellow revolutionaries. In his delirium, Arregui utters the name "Marta," and Molina returns to narrating his favorite movie, hoping it will assuage his pain.As Arregui awakens, he soils himself with diarrhea, and Molina cleans the mess. Grateful for Molina's care, Arregui lets down his guard and allows him to read a letter from his girl friend, whom he now identifies as Lidia. However, Molina inquires about the mysterious Marta. Shocked by Molina's knowledge of her name, Arregui admits he is still entranced by his former lover, Marta (also Sonia Braga), even though she is from an upper-class family, and his association with the bourgeoisie makes him a hypocrite to the revolution. Marta asked him to leave the rebels, but his friends were being abducted, and he agreed to a mission in which he gave his passport to an elderly dissident, code-named "Dr. Americo." After the transaction, Arregui was arrested and tortured, but he did not succumb to the inquisition. He admits he does not want to die, and begs Molina to protect him.Sometime later, Molina is called back to meet with the warden and his henchman, Pedro (Milton Gonçalves), who have promised to reduce Molina's sentence if he spies on his cellmate. They demand to know the name of Arregui's girl friend, and the identity of the prison's new inmate, but Molina remains mum, pointing out that the captive's face has been concealed by a hood. Molina, who knew all along about the poisoned food, insists he is ignorant about Arregui's revolution, and is relieved to learn that his mother's health has improved. He arranges to bring groceries back to the cell, claiming the gift will help maintain the charade that he is being visited by his mother. Molina hopes the delicacies will restore Arregui's health.After the feast, Molina finishes telling the story of the movie, and Arregui hears the new prisoner's moans. Looking through the bars of their cell, he sees that the inmate's shroud has been removed, and identifies the captive as Dr. Americo, the man who received his passport. The next morning, Arregui is enraged to learn that Americo was killed, and lashes out at Molina. Later, Molina returns to the cell with more groceries, and Arregui apologizes.In another visit to the warden, Molina insists he is making progress, but continues to conceal the names Arregui provided. Hoping to secure his own emancipation, Molina argues that Arregui will reveal his secrets if he knows they will part ways, and the warden grants him parole in 24 hours.Back in the cell, Molina despairs his release, claiming that he will remain spiritually imprisoned in a society that castigates his sexual orientation. Arregui consoles his friend, and asks to hear the story of another movie. Molina narrates the cinematic tale of a woman (Sonia Braga in her third role) who is trapped on a desert island, entangled by a spider web that grows from her body. One day, a man washes ashore, and she nurses him back to life. Explaining that the heroine is anguished by desire, Molina admits his love for Arregui. The revolutionary wishes to express gratitude for Molina's compassion, and fulfills his longing to make love.The next day, Molina does not want to leave, but Arregui sees his liberation as an opportunity to communicate with the revolution, and asks him to deliver a telephone message. Molina refuses, and requests a parting token of tenderness that they did not share the night before: A kiss. Arregui begs Molina to stand up for himself in the outside world, and to never submit to degradation. Molina vows to make the call, and they kiss. As Molina bids his beloved farewell, Arregui whispers a telephone number and message in his ear.Molina returns home and visits his mother (Miriam Pires) who is happy to see him home. Over the next few days, Molina makes a tepid reentry into civilian life, unaware that he is being followed by Pedro, the warden's henchman. A few days later, Molina makes the phone call, and is ordered by the unseen person over the phone to meet the revolutionaries in person. He hesitantly agrees, despite the danger, and plans to disappear afterward. Molina clears his bank account, and asks a friend to deliver the package of cash to his mother.In a crowded city plaza, Molina heads to the meeting place and realizes he is being trailed by Pedro. As he approaches the revolutionaries' car, a young woman (Ana Maria Braga) introduces herself as Arregui's girl friend, Lidia. However, she sees Pedro and incorrectly suspects Molina of being an informant. Lidia shoots Molina in the chest. While the rebels speed away, Pedro and his men pull Molina into his vehicle and holds him at gunpoint, ordering him to reveal the telephone number, but Molina dies before he can say anything. Molina's dead body is unceremoniously dumped in a back alley trash heap.Back in prison, Arregui is tortured but he continues to refuse to talk. A medic takes pity and secretly injects him with a painkiller. As Arregui loses consciousness and seemingly dies, he is visited by Marta the Spider Woman. She guides him out of the prison, and leads him to the desert island in Molina's imaginary movie.
    

Kiss of the Spider Woman


            
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José Lewgoy

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