
            The movie opens up with credits while we hear Trevor Reznik (Christian Bale) grappling with something large and heavy. He drives his truck near a dam and would appear to have a body wrapped in a carpet to dispose of. He panics when someone starts to come closer, holding a flashlight. He pushes the carpet down and it starts to unroll. Just then, the man with the flashlight catches up to him and says, "Who are you?"Trevor washes his hands with bleach in his bathroom sink. He looks up at his own gaunt face in the mirror-- stuck to the mirror he sees a post-it note that says "Who Are You?"Trevor is with Stevie (Jennifer Jason Leigh), a call-girl. They've finished making love at her place, and Trevor washes up. She pokes fun at his extremely low weight. He creeps her (and the rest of the audience) out by sucking in his stomach and arching his back to show his bones sticking out. He walks out the door, leaving a tip in her jar.Trevor goes to work at an unspecified industrial job where he is a. . . machinist. Trevor has a contentious relationship with the foreman, Tucker, because he likes to quote and apprise his co-workers of OSHA laws that Tucker would prefer to disregard. After work Trevor and his co-workers talk trash in the locker room while changing out of their coveralls. Jones (Reg E. Cathey) invites Trevor to play cards with the boys but Trevor declines, and Jones remarks that Trevor doesn't socialize the way he used to, another clue that all is not right in Trevor's world.Trevor is now at an airport diner, chatting and flirting with a divorced waitress named Marie (Aitana Sánchez Gijón). He takes a look at the clock, which reads 1:30 am. She wants to know why Trevor shows up at the airport so late at night and teasingly asks if he's running away from something. Marie echoes Stevie's concerns about Trevor's skeletal physique: "if you were any thinner, you wouldn't exist." He eventually finds his way back to Stevie. During their pillow talk, he reveals to her that he hasn't slept in one year.One afternoon after work, Trevor goes out for a smoke. While in his truck, he hears someone say that a storm is coming. He looks over and sees a stocky bald man leaning into his window. He introduces himself as Ivan (John Sharian). He says he is a new worker, covering for Trevor's friend, Reynolds.Back on shift, Trevor and his co-worker Miller (Michael Ironside) are fixing a machine. Trevor looks over at Ivan, who makes a throat-slashing gesture. Trevor takes a step back and his shoulder hits a button that turns on the machine. Miller's arm is caught and slowly entering it. They try to turn off the machine and free him, but can't do it in time. Miller's arm is torn from his body, and seen still spinning around in the machine minus Miller. They call for an ambulance and Trevor goes into his boss's office. They ask him what happened. He says Ivan must have distracted him. His boss seems puzzled. They have no employees named Ivan.Trevor sees Ivan leaving in his red sports-car and follows him. He pulls up next to him in traffic and says they need to talk. They go into a bar, where Trevor confronts Ivan with the fact that no one at the factory has ever heard of him. Ivan insists that he does indeed work there and that maybe Trevor's boss and co-workers are playing a joke on him. Ivan also shows Trevor that his own hand was maimed on a machine. After losing his fingers, doctors replaced his thumb with a big toe and his pinky finger with his baby toe, resulting in a grotesque deformity. Ivan excuses himself to go to the restroom, leaving his wallet behind, which Trevor opens. He sees a picture of Ivan and Reynolds fishing. He keeps it as proof that Reynolds knows Ivan.Back at work his co-workers are angry with him, seeing him as a jinx. They say they do not trust him anymore.During the next couple of days Trevor is perplexed when post-its start to appear on his fridge. They resemble a game of 'hangman.' The first has six blanks to fill with letters. Trevor has no idea what is going on. Later on the next day, the blanks read _ _ _ _ E-R.On Mother's Day, Trevor accompanies Marie and her son Nicholas (Mathew Romero Moore) to an amusement park. Marie's cel rings and she excuses herself to talk to the caller, "Probably my ex." Nicholas convinces Trevor to take him on a scary ride called Route 66. The scares become increasingly bizarre and graphic, and at the end of the ride, rapidly flashing lights cause Nicholas to suffer a seizure. Trevor feels terrible about taking Nicholas on the adult ride, but Marie seems quite forgiving about the whole thing and assures Trevor that when Nicholas wakes up, "it will be as if nothing ever happened." They go back to her place and have some wine. He goes to the kitchen and sees that the clock reads 1:30 and there's a Mother's Day card magnetized to the refrigerator that Nicholas gave to Marie. He notices that his handwriting matches the "ER" in his last hangman post-it. When he goes back home, he makes a guess and fills in MOTHER. He looks at an old photo album of his own mother and sees a picture that eerily resembles the one he took of Nicholas and Marie earlier.Back at work, Miller comes by to get his settlement check and seems good-natured about the accident. He tells Trevor that he's very happy with the financial compensation the company has awarded him. However, Trevor almost gets into an accident himself, which nearly costs his arm. He starts to become paranoid, wondering if his co-workers have it out for him. Staring at the hangman's game at his apartment, he makes another guess: MILLER.He visits Miller's home to demand answers. Trevor accuses Miller of trying to get revenge. Miller doesn't understand why Trevor's so upset but eventually he gets tired of Trevor screaming at him, punches Trevor in the gut and tells him to leave. Afterwards Trevor sees Ivan leaving the scene and he pursues him by car, but Ivan escapes. Trevor is starting to believe there is a conspiracy against him.Trevor goes back to Stevie's for sex. Afterwards we can see that they have feelings for each other. After some talking, she tells him she wants to quit hooking and start a relationship with him, which is what Trevor wants as well.He goes back to the airport diner to see Marie. The scene looks much different-- it's now crowded, noisy and dimly lit. The frumpy waitress behind the counter tells Trevor that nobody named Marie works there. Trevor starts to freak out and yells at the waitress and the customers. He accuses them all of playing along in the conspiracy. In the airport parking garage, he spots Ivan driving off again. He slowly tails him.He memorizes Ivan's plate numbers but loses sight of the car in a near accident. He then goes to the Department of Motor Vehicles to see if he can get Ivan's contact information. The DMV won't help him unless he has a criminal complaint to file. Trevor jumps in front of an oncoming car so he can go to the police and pretend to be the victim of a hit and run, giving Ivan's license plate. A detective informs Trevor that the plates belong to a car that was owned by Trevor and reported completely destroyed by him one year before. The cops accuse him of pranking them. Trevor is confused and runs off. The cops give chase through some subway tunnels, but he escapes.Trevor stumbles back to Stevie's. She is dismayed by the extent of his injuries and urges him to see a doctor, which he refuses to do. Stevie is ready to let Trevor move in with her and find a regular job, until Trevor spots the picture of Ivan with Reynolds, and accuses Stevie of plotting against him with Ivan. Stevie tells him the photo is of Reynolds and none other than Trevor himself. She also has no idea who Ivan is. She says that Trevor left the picture after his last visit. Trevor becomes enraged and calls Stevie a whore, to which she replies that Trevor is a psycho and that must be why he avoids doctors. She slaps him and throws him out. He drives back to his apartment building, only to find Ivan and Nicholas already going inside. He follows and has a fight with Ivan. He manages to cut his throat but can't find Nicholas.This puts Trevor back where he was at the beginning of the film. Trevor rolls Ivan's body up in a carpet and tries to dump it, but discovers that when the carpet unravels, it is empty. The man approaching with the flashlight is Ivan. He asks "Who are you?"Back at Trevor's place, he washes his hands with bleach. He sees the post-it that asks "Who are you?" Reflected in the mirror, he can see Ivan standing behind him. Trevor starts to cry.He repeatedly says "I know who you are."In a flashback from more than a year ago, we see a healthy Trevor driving the same red sports car he saw Ivan driving. The time is 1:30 pm. As he approaches an intersection, he tries to light his cigarette and is distracted when he drops the lighter on the floor. He ends up hitting and killing Nicholas as the boy crosses the street. Marie runs to her child. Trevor flees the scene.Back in the present, Trevor completes the hangman game and figures out who he is. It says KILLER. His guilt has caused his insomnia and trip into madness, which created Ivan. He never knew Marie and Nicholas (if those are their real names). He takes a trip downtown to a police station, where he says "I'd like to report a hit and run," and turns himself in.The cops want to know if he wants to make a statement or phone call. He says "Later. I just want to get some sleep right now."As he sits in his cell, he finally starts to doze off. The last image we see is a flashback of a distraught Trevor, driving down a road after the hit and run. Fade to white.
    

The Machinist


            The film starts out with a scene at a demolished roadside diner, with everything inside slaughtered by a malfunctioned secret project by the codename Hardman, invented and manufactured by Chaank, a megacorporation producing various military hardware. Public outcry ensues, and Cale is introduced as the company's investigating Chief Executive. Ridley, head of the board of directors, tries to cover things up, but she gets the wind of all the illegal activity going on in the company. Cale demands immediate and full public disclosure, along with Dante, who works on numerous projects, including the Hardman, being fired. This doesn't seem to get much of a reaction from anyone besides Dante himself who takes an eerie interest in Cale, confronting her on a few occasions with knowledge about her finances, past life, and ID information.Meanwhile Cale wants to know what project Dante is currently working on in vault 10 (apparently mechanical shops in the building are designated as vaults), as he never submits reports and is being less than cooperative. Ridley, scared, refuses to help, telling her outright that her recently deceased predecessor who took interest in Dante's work ethics soon met with a grisly death right in the corporate headquarters, most likely by the very project Dante is working on. During the conversation she steals his access card in order to investigate on her own.At the same time a trio of stoner pacifist eco-warriors are planning an infiltration of the company's headquarters in order to destroy its digitally stored assets and put Chaank out of business.Somehow, Dante finds out that Cale has the card now, and confronts Ridley on the issue, soon after killing him by what the viewer can assume is his invention. Carpenter calls up Cale the same night after finding Ridley's mutilated body by means of implanted life-sign transmitter that everyone in the corporation has. She arrives, and finds out that whatever it was that killed him came out of the infamous vault 10, and taking matters in her own hands, terminates Dante's employment and seals the vault. Dante is about to shoot her when the trio of eco-warriors show up and take them hostage. They need to gain access to the secure areas of the building in order to destroy the company's digitally stored bonds, but Cale refuses to cooperate. Raimi, apparent leader of the gang, goes to an alternate plan to cut through the doors and the bulkhead leading to the containment. Dante, sensing his chance, "helps" them by suggesting to cut through one of the vaults surrounding the containment instead, leading them to what is revealed to be vault 10.Once the vault is open, he jumps in, activates his invention (he calls it the Warbeast, or Frontline Morale Destroyer as that seems to be its official designation and purpose), which promptly kills off one of the teammates, Weyland. Raimi flees for his life, meeting up with Yutani and subdued Cale and Carpenter, when Dante broadcasts his demands on the monitor, demanding his employment reinstated, and Cale "interfacing with him on a regular basis". Raimi and Yutani terminate the operation and attempt to get out of the building, with Carpenter and Cale tagging along.
    

Death Machine


            1850. Wolves plague the forests. People are disappearing. The mutilated cadavers present precise surgical cuts along with savage gashes. It's a contradiction that terrorizes the local villagers, who are too frightened to enter the forests. Rumours about the legend of the "Werewolf of Allariz" spread. Barbara and her sister Josephine live in an isolated house in the forest. They only feel safe when a travelling vendor by the name of Manuel Romasanta comes to visit. But why is Manuel not afraid to enter the forest? What secrets are hidden under the roof of his wagon? The film is based on the true-life story of Manuel Blanco Romasanta, the travelling vendor, who confessed to the murders of thirteen people, using their body fat to make soap. Romasanta was tried in Allaríz in 1852 and avoided capital punishment by proclaiming he was a werewolf.
    

John Sharian

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