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Sting: When the Last Ship Sails


            "History teaches us that men behave wisely . . . once they've exhausted all other alternatives. For most rock bands, the pursuit of wisdom's a low priority compared to fame, fortune and fornication. Such a band was Strange Fruit." Thus begins the opening dialog of Hughie, (Billy Connolly) as he launches into a brief history of the British band: in the late 1970's Strange Fruit, consisting of guitarist Brian Lovell (Bruce Robinson), his brother and lead singer Keith, keyboard player Tony Costello (Stephen Rea), bassist Les Wickes (Jimmy Nail) and drummer Beano Baggot (Timothy Spall) were HUGE. When Keith died of a drug overdose, he was replaced on vocals by Ray Simms (Bill Nighy). Watched over by road-dog Hughie and Girl Friday Karen (Juliet Aubrey), they soldiered on until the disastrous appearance at the open-air Wisbech (U.K.) Rock Festival, when lightning struck the stage during their opening number. The already-contentious band members decided it was a sign and immediately broke up forever (all this in the first five minutes of the film).
Forever, that is, until in the present (OK, 1998) Tony is spotted on Ibeza (he now stocks condoms in the restrooms at the resorts there) by the son of the Wisbech promoter, who wants to put together a 20th anniversary reunion concert with all the original acts. Tony seeks out Karen, now a divorced mother who coordinates conferences for a major hotel, suggesting a possible reunion. She is ambivalent, as is Les (now a successful roofer with a family) and Ray (a struggling solo artist with a demanding second wife -- Swedish -- and a mansion he can't afford). Beano, working in a floral nursery and hounded by the Inland Revenue (the U.K.'s IRS) is the only immediately enthusiastic bandmate.
They arrange a meeting, where Karen informs them that she's tracked Brian and found his music royalties are being distributed per a bequest in his will, provoking Beano to compassionately ask if that means "the silly sod's dead?"
The band again soldiers on. Hughie shows up to complete what's left of the original entourage and the band begins to practice. It becomes obvious that, beyond the normal clash of rock and roll egos, the biggest problem is Les's extreme resentment of Ray, who not only replaced one-half of a near-genius song-writing duo (the Lovell brothers) but who also refused to let Les sing even though Les considers himself a better singer than Ray (especially when it comes to a certain ballad called "The Flame Still Burns", heard briefly and only acoustically during the middle parts of the film).
Karen, now the band's manager, recruits a young guitarist named Luke (Hans Matheson) to replace Brian and besides, she tells the mid-lifers, "he makes you look younger." She also tries to secure a record deal, citing the popularity of the nostalgia wave. She doesn't get it, but she does get financing for a continental European tour, to see what they've got.
The band and entourage, along with Karen's daughter Clare (Rachael Stirling), ostensibly there to do the washing, etc. but really there so Karen can keep an eye on her, head across the channel and have some disastrous first concerts while slowly getting their groove back. Many humorous situations unfold during this tour, as when (for just one example) Ray, in a Dutch village, attends what he thinks is an AA meeting only to find that it's an Overeaters Anonymous gathering.
The band slowly get better and better and even score a record deal before a confrontation between band members and their egos blows it all up.
All seems lost until, just by luck (and a visit to a graveyard) Karen finds out that Brian Lovell isn't dead after all, but a voluntary patient at a mental health facility. She and Tony visit him and convince him to join the band. This is hard on Tony, because he's always had a thing for Karen, who's always had a thing for Brian.
The band is reunited and ready to play the Wisbech reunion until the press badger Brian about his former drug use and present mental fragility. He bails and the band is set to go on without him. As they take the stage to perform the same song that they were to sing at the original Wisbech, a microphone feedback reminds Ray of the lightning strike and he freezes. To save the situation, Tony begins to play "The Flame Still Burns". Ray relinquishes the vocals to a stunned Les. Suddenly, Brian shows up in time to take the guitar solo, and the movie ends with the final strains of this song, with all of them singing. As the end titles begin to scroll, Hughie asks, "and how will the Fruits conspire to bollocks things up this time around? We wait with bated breath!"
    

Still Crazy


            A movie version of the highly successful musical by Andrew Lloyd Weber and Tim Rice, "Evita" is the story of Argentina's most controversial First Lady, Eva Perón (1919 - 1952.) Her awe-inspiring funeral, attended by seven million devoted followers, is the opening to the musical, with the narrator then brining the story back by over a decade, explaining how a B-movie actress became the object of such controversial devotion.Trapped and bored with her family in rural Argentina in the late 1930s, Eva Duarte (Madonna) convinces a womanising musician (Jimmy Nail) to take her with him, back to the capital city, Buenos Aires, where she is determined to become a star. After being abandoned by the musician, Eva endures humiliations and poverty before using her feminine wiles to climb the ladder of the city's entertainment scene, eventually becoming a well-paid radio and film actress.At a benefit to aid the victims of an earthquake she meets Colonel Juan Perón (Jonathan Pryce), an ambitious politician with designs on the presidency. They fall in love and Eva encourages his plans to become dictator of the country, even using her star power to get him released from prison when his enemies order his arrest. On February 24 1946, Perón is elected president with a huge majority, but it quickly becomes apparent that its his glamorous wife who's the focus of the people's love.Affectionately nicknamed 'Evita' by her millions of devoted followers, Eva founds a huge charity to alleviate the suffering of the nation's poor. Throughout it all, the beautiful first lady is dressed in the latest high fashion and she is accused of being a distraction for the people, rather than an aid, by the embittered and cynical narrator (Antonio Banderas.) With millions of people still utterly devoted to her, Evita continues to appear in public, dazzling her supporters and enfuriating her enemies, despite being secretly consumed with terminal cancer. At the end of the musical, she dies, aged 33, resulting in hysterical mourning throughout Argentina.The musical is famous for a number of songs, including the satirical "Oh what a circus!" "Buenos Aires," "Rainbow High," "The Money Kept Rolling In" and the show's signature solo, "Don't cry for me, Argentina." For the movie version, a new solo was added for Evita, "You must love me."
    

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