
            The Brazilian most popular cinema character since "Retomada" comes back to screens. Now more mature, more strategic and more solidary, Colonel Nascimento gives BOPE structure and force. Gets the traffic away from lots of favelas. Denies the corrupt politicians to earn with traffic's "truce", only to discover that in the public security of Rio de Janeiro nothing is what it looks like and that the problem to be faced is not restringed to the traffic. The "hole" is lower.The destiny of the city and of Nascimento intersect in "Elite Squad 2". Since intense researches, the director José Padilha and the writer Bráulio Mantovani constructed an actual history, based in real facts that mingle to the fake history of Nascimento, of his family and of his friends, to talk about Brazilian reality through cinema.To face the challenge and present the publics a so surrounding history as "Elite Squad", Padilha and the producer Marcos Prado counted on almost the same team and cast from the first movie. An integrated team, which resumed hard and devotely the challenge to continue the saga and a character that marked Brazillian cinema forever.In "Elite Squad 2", the system is reinvented and discovers how to gain money without the traffic intermediate. Following the way trodden by the system, the public accompanies Nascimento going out of the barrack's limits, revealing the connections between militia and Estate. And the discover's price is high. You don't know where the bullet is from.
    

Elite Squad 2: The Enemy Within


            
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Aquarius

I Travel Because I Have to, I Come Back Because I Love You

Blue Eyes

Friendly Beast


            The film tells the story of a real person, who lived in Bahia, a Brazilian state. The facts that the film shows happened in 1924. Manoel Henrique Pereira was born in 1895. Capoeira fighters change their names upon graduation; the ceremony is called christening. Therefore, Manoel became Besouro de Mangangá (Aílton Carmo), which means Mangangá Beetle. The film starts with the murder of Master Alípio (Macalé), Besouro's coach. Master Alípio was killed by bodyguards of Colonel Venâncio (Flávio Rocha), an officer of the extinct Brazilian National Guard. Since Besouro was in charge of protecting Master Alípio, capoeira fighters and other members of the black community deemed him responsible for the death of the old coach. Therefore, he was not allowed to take part of the coach's funerals.After the death of Alípio, bodyguards of Colonel Venâncio intensified oppression against the black community. At some point of the story, Besouro starts a kind of guerrilla warfare, setting fire to plantations, and destroying machineries. Venâncio's bodyguards retaliated with punitive actions against the black community. Quero-quero (Ânderson Santos), a friend of Besouro's, concludes that the best policy was to side with Colonel Venâncio against Besouro. Dinorá (Jéssica Barbosa), a capoeira fighter and Quero-quero's lover, takes the side of Besouro, and leaves Quero-quero.Many Brazilian negroes (they prefer this denomination) believe in the existence of Orixás, gods of Nature. Even today, people believe that Exu, a god, protected Bersouro against atacks of his enemies. Upset by the loss of his wife, Quero-quero reveals to Colonel Venâncio that the best way of neutralizing Exu's protection was to attack Besouro with a knife made of a certain wood. Venâncio's bodyguards prepare the knife, and kill Besouro.At the time of Besouro's death, Dinorá was pregnant of his son. The film ends with one of Besouro's friends teaching capoeira to the son of Besouro and Dinorá.Capoeira is an acrobatic art of self-defense, that one can see in films like Harry-Potter and the Goblet of Fire, Meet the Fockers, etc. It requires skills that are similar to Artistic Gymnastics. All actors are extremely skilfull. In many theaters, Brazilians gave a standing ovation to Jéssica Barbosa's scene, when her personage avoids being raped by Colonel Venâncio by dropping her knive, and leading him to believe that she was helpless. Jéssica moves rapidly stepping on the wall of her house, and attacks the enemy with powerful kicks. It is worthwhile to see this scene.Nobody knows for sure how Besouro was killed. The film shows one of the many reconstructions of his death. In 1973, I interviewed one of his students in São Jose dos Campos and, as far as I remember, his reconstruction of the story was very similar to the version presented in the film.
    

Irandhir Santos

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