In Rimini (2022) and Sparta (2022), Ulrich Seidl followed the lives of two brothers, Richie and Ewald, respectively. The former is a crooner long past his prime yet still beloved by hordes of late-middle-aged female fans who can also buy his sexual attention; the latter is a technician living in Romania and wrestling with his pedophile desires. These two tales were supposed to be told in one film – and now they finally are! The result offers a staggeringly different experience of the narrative(s). It's far more cerebral, above all a work of ideas.

Teresa, a fifty-year-old Austrian mother, travels to the paradise of the beaches of Kenya, seeking out love from African boys. But she must confront the hard truth that on the beaches of Kenya, love is a business.

Neurotic, Parisian, gay, and thirty-something, three friends lost their way in Austrian mountains. From dizzying summits to huge abyss, now could be the right time to take stock of their lives, lovers, and friendships.

A young nurse gets entangled in the occult cabal of her aristocratic patient, the Baroness Heidenreich who resides with her devoted groundskeeper, Otto. Their dark secrets will soon be revealed.