
            Rome Opening Credits Intro.Seven years have passed and at the Aventine Collegium Titus Pullo (Ray Stevenson) deals with restless Romans who are amassing at his gates demanding more rations because they are starving as a result of a dire shortage of grain. As Gaia (Zuleikha Robinson) watches from his balcony eating an apple, Pullo delivers an impassioned speech telling the masses to go home and wait for the next days ration. In the interim, Titus Pullo meets with Octavian (Simon Woods) to update him about the grain shortage and asks for more grain. Octavian tells Titus Pullo that he has only the grain left to feed his military and they have to eat, too. Agrippa (Allen Leech) advises Octavian to send part of the troops to Africa this freeing up extra grain for the people that would give them an extra month's worth of rations. Octavian agrees with the short-term solution, but realizes that something else must be done to feed the masses. Before parting, Octavian asks Titus Pullo what the people are saying about him and the situation. Choosing his words carefully, Titus Pullo advises that the people are blaming Octavian and not Marc Antony. Titus Pullo points out Marc Anthony's popularity with the people. Octavian describes himself as "cold and harsh." Titus Pullo says, he wouldn't say that, but offers that Octavian isn't exactly known to be "affectionate" and after all Marc Antony "loves the people. Cut to Egypt, where Lucius Vorenus (Kevin McKidd) seemingly awakens in bed next to Niobe (Indira Varma) where they share and affectionate moment which ends in a nightmare scenario. Vorenus awakens in real life next to a bald, and naked Egyptian prostitute who as she places a black, braided wig on her head complains about Vorenus' evil dreams and that he should pay more money. Vorenus tells her to be quiet as he splashes water on his face and dresses for duty in legionary gear. Vorenus enters the palace of Cleopatra (Lindsey Marshal) and encounters Posca (Nicholas Woodeson) who wears eyeliner and Egyptian apparel while lounging in an office filled to the rafters with various scrolls. Vorenus asks what's going on and Posca tells him that Mark Antony (James Purefoy) and Cleopatra are receiving Bibulus (Jack Ellis), who Octavian has sent to barter with Mark Antony to get new shipments sent from Egypt. Vorenus asks why he is not with Mark Antony and Posca answers that he chooses to get out of sight when Cleopatra shrieks at him. Vorenus heads to the room where Mark Antony is negotiating with Bibulus while also giving Cleopatra a lesson in archery amid luxurious cushions. Antony has altered in that he wears Egyptian attire and jewelry plus various tattoos and kohl around his eyes . Cleopatra wears a revealing metal brassiere and skirt with two slits up the front revealing her bare thighs. Cleopatra has lesson includes a slave dressed as a dear who crawls on all fours as Antony directs him to sip from a bowl of water on the floor. During the grain negotiation, Cleopatra misses her target and with every miss, the slave dressed as a deer cowers in fear and yelps aloud. During the negotiation, Mark Antony and Cleopatra continually increase their demands in exchange for grain, eventually driving away Octavian's negotiator when Cleopatra also asks for Spain which proves to be a deal breaker. As the talks break down Cleopatra finally hits her deer target and the slave his shown on the floor pierced by her arrow and bleeding profusely from the neck. Vorenus orders the other servants to remove the body. As Bibulus exits, he asks Vorenus what has happened to Antony and Vorenus gives Bibulus the brush off.
Antony hopes to push Octavian into declaring war, which Antony believes he can win due to his support among the Roman people. Realizing the tight spot he's in Octavian sends for Atia of the Julli (Polly Walker), who preparing for the opera and Octavia (Kerry Condon), who now has a young daughter by Mark Antony named Antonia, to join him at a luxurious dinner. As a last resort to sway public sentiment to his side, Octavian tells Octavia and Atia he needs their assistance to mediate a grain settlement with Antony. Atia tells Octavian that she has no desire to go on a long sea voyage and that neither she nor Octavia are "hungry" and basically what's in it for them? Octavian counters with, "What do you want?" Atia asks for a Villa in Capri and turns to Octavia asking her of she also desires a new villa. Octavia cannot make up her mid so at Atia's suggestion, Octavia tells Octavian she will settle for cash. Octavian agrees and sends Atia and Octavia to Alexandria, knowing that Antony will reject his lover and lawful wife respectively. During a post-coitus moment of pillow talk, Livia Drusilla (Alice Henley), Octavian's new wife, asks Octavian about Atia and Octavia sailing off to Egypt for the mediation. Livia figures out Octavian's strategy out loud. Octavian refuses to discuss it with her, rolls over and ends the evening by saying, "Good night, dear."Atia and Octavia are seen on a Roman vessel down below. Octavia suffers from sea sickness and Atia asks Octavia if she's changed very much since Antony last saw her. Octavia says now and gets even sicker upon hearing a slave vomit within earshot. Atia looks out of the window as a shipman announces land. Atia and Octavia disembark for the Egyptian capital for an audience with Mark Antony who ends up in a a violent tussle with Cleopatra after Mark Antony first insults her by referring to her as "like a queen" and then further refuses to agree to kill Atia and Octavia or arrange for a sea disaster while the two sail back to Rome. Cleopatra's position is that if Mark Antony no longer loves Atia, killing her should not be an issue. Carried by slaves, Atia and Octavia arrive at the front door of Cleopatra's palace. It is sweltering hot. Atia says, Egypt is strange. Octavia marvels at the sheer size of the palace. They wait. There is no one to either greet them or receive them and the women complain that no one brings them water. Meanwhile the violent argument between Cleopatra and Mark Antony has turned into a rambunctious sexual interlude. Antony then calls for Vorenus to handle a "delicate matter." In the meantime, Jocasta (Camilla Rutherford), who's garbed in Egyptian attire per Cleopatra, sneaks out of the palace to talk with her old friend, Octavia and Atia. Atia and Octavia marvel at Jocasta's Egyptian appearance. Jocasta says she must wear her hair in the Egptian or face the wrath of Cleopatra who despises Roman styles. Jocasta compliments Octavia's hairstyle and asks Octavia if that's how Roman women are wearing it now. Posca furtively comes out of the palace a few minutes later to retrieve Jocasta fearing that harm will come to both of them if Cleopatra discovers them talking to Atia and Octavia, and whisks her back into the palace. Cut to Cleopatra's two children by Antony tumbling out of a palace hallway to greet their father who is tired and falls asleep before they go. Cleopatra looks at Anthony in wonder.Ultimately, Octavian is proven correct: Antony refuses to see Atia and Octavia (owing to the fact he was in the middle of having sex with Cleopatra) and with Vorenus' assistance sends them packing back to Rome. Atia, who at first is happy to see that Vorenus has not "gone native" sees him as an ally to no avail, takes the rejection very hard and attempts to storm the palace while calling out Antony's name. Vorenus intervenes. Atia tells Vorenus that he would not manhandle them, but Vorenus points to Cleopatra's Nubian guards who step forward in a show of force to dispatch them forthwith. A distraught Atia turns leave and head back to the ship without being carried. Before also parting on foot, Octavia tells Vorenus to deliver a message to her husband, Antony that he is a "Coward" and scum. Caesarion (Max Baldry) commands Vorenus to play ball with him after her bullies a servant away by hitting him with the ball. Vorenus agrees while hitting Caesarion with the ball striking him in the shoulder. Caesarion winces in pain but continues to play while asking Vorenus for information about his father. Vorenus tells Caesarion ambiguous stories about Caesarion's father (the boy believes his father to be Julius Caesar though Vorenus is speaking of Titus Pullo). Again--Vorenus chooses to stay in Alexandria with Antony, but before Posca departs the ship bound for Rome (Vorenus catches Posca and Jocasta in the act of packing to flee Egypt but plays along with their fiction of taking a walk to see the ships at port), Vorenus tells Posca that if he sees Titus Pullo to tell them Vorenus asks him to kiss his children for him and next advises Posa to make haste for the wind is picking up and the ships shall sail with the winds thus, jeopardizing his and Jocasta's chance "to see the ships" before they set sail. Posca and Jocasta are next seen surreptitiously leaving the palace, making their way through the crowds to the seaport.
In truth, Posca secretly leaves Antony's service, stowing away with Jocasta on the ship carrying Atia and Octavia so that they can defect back to Octavian. Antony wakes up from his nap and runs into Vorenus while searching for Posca, who he cannot find. Vorenus tells Antony (dressed in yet another Egyptian garment) he doesn't know where Posca is, but delivers the message from Octavia to Antony. Vorenus tells Antony that he is not a coward as Octavia suggests, but that he recognizes his symptoms of having a sickness of the soul. Antony looks at Vorenus for a prolonged moment and walks away after sighing. Octavian greets Atia upon her return to Rome. Atia in turn, slaps Octavian, and says to hell with the villa she wants Antony dead. Posca also delivers to Antony the last will and testament of Antony and Cleopatra. Octavian uses this as evidence that Antony has gone mad due to the bewitchery of the sorceress Cleopatra, blackens his eyes like a prostitute, worships idols and has become a threat to the state, spreading such news to the public via the Newsreader (Ian McNeice) and gaining the Senate's support in a war against Antony. Octavian summons Titus Pullo for a personal audience in the Senate house and requests that Pullo come with him to Egypt, hoping that Pullo could reason with Vorenus and mediate for Antony. Pullo expresses his doubts, but agrees to escort Octavian.At the Aventine Collegium, where Pullo is rationing out grain to increasingly restless Romans, Pullo makes final arrangements with his men and Vorenus' children, and leaves Mascius in charge. However, the night before Pullo leaves, he is attacked by Memmio, who Pullo had imprisoned in a small cage since his defeat in the gang wars to serve as a warning to the ranks of his men about betrayal. Memmio knocks Pullo unconscious and moves in to kill him with a knife. Gaia intervenes and kills Memmio, but she is severely wounded. As Gaia is being treated, she says she is not a good woman, that she is troubled by "Nemesis." Pullo asks why she is troubled by Nemisis and Gaia then confesses to Pullo that Eirene was a good woman and that because she wanted Pullo for herself, she killed Eirene and their unborn child by spiking Eirene's tea with poison. Pullo, seething with anger, chokes her to death, then carries her corpse through a crowd of shocked onlookers, who watch Pullo as he dumps her body unceremoniously into a muddy pool, which ensures that Gaia is doomed to never enter the netherworld and her spirit will wander aimlessly in limbo because she has not received proper funeral rites.
    

Rome


            "Doc Martin" is a British television medical comedy drama series starring Martin Clunes in the title role as Doc Martin Ellingham. Created by Dominic Minghella, Mark Crowdy, Craig Ferguson, the program is set in the fictional seaside village of Portwenn, filmed on location in the actual village of Port Isaac, Cornwall, United Kingdom. He, Doc Martin upon arrival of his new position finds his office in chaos and inherits an incompetent receptionist.The program revolves around Ellingham's interactions with the local Cornish people and patients he treats. Despite his medical excellence, he is grouchy, abrupt, and has little to no social skills. He is direct and his emotionless interactions offends most of the people he comes across. Most perceive him to be short tempered and lacking in a bedside manner. He is an excellent Doc and has impeccable credentials and talents far past a General Practitioner and exhibits no patience for small talk and simple niceties. The towns people eventually discover his fear of blood and notice his frequent and debilitating bouts of nausea and vomiting that it causes. However, Doc Martin proves to be an expert diagnostician and responds effectively to various emergencies in his medical practice and easily gains the respect from the town's folk.The seasons have been between 2004 and 2017. The eighth and most recent series aired on ITV from September 2017 and streamed in the United States on Public Television and Canada on Acorn TV. Series 9 began filming in Port Isaac in March 2019. Season nine, he is scrutinized as a GP from the General Medical Council following complaints about his irascible approach to patients. It's not clear whether season nine is the final season but Clunes hopes to return for more episodesClunes said, "We love going to Cornwall to make "Doc Martin," and we miss it when we are not there. The county is so beautiful, and the people have been so warm and welcoming to us. It is the best job in television." In 2004, Doc Martin won the British Comedy Award for "Best TV Comedy Drama", having also been nominated as "Best New TV Comedy". In the same year, Martin Clunes won the "Best TV Comedy Actor" award, primarily for his portrayal of Doc Martin. Recurring cast members are Caroline Catz playing Doc Martin's wife, Louisa Ellingham, who has resigned from her job as headmistress at the local school to pursue a new career in child counseling. His romantic interactions between are strained due to his persona many times and often spoils rare tender moments between the two.The Cast overall is consistent each season. With Ian McNeice who is an odd amiable character back to play Bert Large, with Joe Absolom as his son Al. John Marquez is PC Joe Penhale, Similar to Barney Fife of Mayberry. Jessica Ransom is the doctor's receptionist Morwenna Newcross who has a very unique fashion sense. Selina Cadell is the disturbed pharmacist Mrs Tishell. Elaine Denham (Lucy Punch). In Series 2,3,4, she is replaced by Pauline Lamb (Katherine Parkinson), a new receptionist, and later duties include drawing blood from patients. In Series 5, Morwenna Newcross (Jessica Ransom) takes over. Ellingham's aunt, Joan Norton (Stephanie Cole), from Waiting for God British Sitcom, provides emotional support in the face of the controversy among the towns people caused by his impatient manner. When she dies after a heart attack, her sister Ruth (Eileen Atkins), a retired psychiatrist, comes to Portwenn to take care of her affairs, and eventually decides to use the village as a permanent retreat, offering Martin the support Joan had provided.For those who might notice this is a British Theme of the small-town very much like the Andy Griffith Show of the 1960's. Complete with a Bumbling Deputy with one police car. Foolish towns people with ridiculous situations and simple problems. Doc Martin similar to the Sheriff position in intelligence and stature in the community. Small population just like Mayberry USA with limited resources. Few people of color if any. With the feeling of no crime and safety abound. A homey simple and slower, old-fashioned lifestyle. With an over all comfy, pleasant feel of good nature people created by the producer, Mark Crowdy that still resonates with viewers of the 21st century.
    

Doc Martin


            
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A Christmas Carol

Children of Dune


            In 19th century England, penniless orphan Oliver Twist (Barney Clark) is brought to a workhouse on his ninth birthday by a parish beadle, Mr. Bumble (Jeremy Swift). Oliver and the other resident children are treated poorly and given very little food. Facing starvation, the boys select Oliver, through a lottery, to ask for more food at the next meal, which he tentatively does. This infuriates the workhouse officials (all well-fed, hypocritical men) who decide to get rid of him, and offer a cash reward for anyone willing to take Oliver off of their hands. After nearly being made an apprentice to a cruel chimney sweep, Oliver is taken in by Mr. Sowerberry (Michael Heath), an undertaker, whose wife (Gillian Hanna) and senior apprentice Noah (Chris Overton) take an instant dislike to the newcomer. After more poor treatment, Oliver snaps and attacks Noah for having insulted his late mother. Knowing his life with the Sowerberrys will only get worse, Oliver escapes on foot.With little food, Oliver embarks on the 70-mile walk to London. A kindly old woman (Liz Smith) gives him food and lodgings for a night after he collapses from exhaustion. After a week of travel, he arrives at the city, starving and shoeless. He meets Jack Dawkins, or "The Artful Dodger" (Harry Eden), a boy-thief who takes Oliver to his home that he shares with many other young pickpockets and their eccentric elderly leader, Fagin (Ben Kingsley). Soon, Oliver is being groomed to join their gang. On his first outing with the pickpockets, two of the boys steal a man's handkerchief and Oliver is framed. However he is proven innocent by an eyewitness, and the owner of the handkerchief, the wealthy Mr. Brownlow (Edward Hardwicke) takes pity on Oliver, who had collapsed from a fever during his brief trial. Brownlow informally adopts Oliver, giving him new clothes, lodgings, and the promise of a good education. While out running an errand for Brownlow, Oliver is forcibly returned to the pickpocket gang by Fagin's associate, the sinister Bill Sykes (Jamie Foreman), and Nancy (Leanne Rowe), a young prostitute who is in a complex and abusive relationship with Sykes. Fagin and Sykes worried that Oliver would "peach" and tell the authorities about their criminal activity. Oliver is put under constant supervision at Fagin's lair until Bill Sykes discovers the boy's connection to the rich Mr. Brownlow. Sykes and his accomplice, Toby Crackit (Mark Strong), force Oliver to aid them in robbing Brownlow's house. They are discovered and Oliver is wounded in a brief shootout between Brownlow and Sykes. As the three escape, Bill decides to murder Oliver to ensure his silence, but falls into a nearby river before he can take action.Bill survives his near-drowning, but is confined to bed with a heavy fever. He and Fagin (who, despite treating Oliver kindly, remains crime-focused) plot to kill Oliver when Sykes has recovered. Nancy has a maternal love for Oliver and does not want to see him hurt, but she is controlled by the abusive Sykes. Despite her fears, Nancy drugs Bill and sneaks to Brownlow's house where she arranges to have him meet her on London Bridge at midnight so she can provide information about Oliver. At the meeting, Nancy cautiously reveals that Oliver is staying with Fagin and his band of pickpockets, and that the authorities will find them easily. Brownlow leaves to call the police. The Artful Dodger, who had been sent by a suspicious Fagin to spy on Nancy, had heard everything and is bullied out of the information by Bill Sykes. Sykes is furious at Nancy's betrayal, and brutally beats her to death in their apartment when she returns.The next day, information about Oliver and Fagin appear in the newspaper, along with Nancy's murder and the suspected guilt of Bill Sykes. Sykes' ever-present dog, Bullseye, is a dead giveaway to his identity. After unsuccessfully trying to kill the dog, who scampers away into the village, Sykes takes up residence with Toby Crackit. Fagin, Oliver, and the boys are hiding there too, after escaping their previous location before the police could find them. Their safety is short-lived, as Bullseye soon guides a mob of police and locals to the group's hideout. Eventually, Dodger, who is outraged at Sykes for killing the kindhearted Nancy, reveals their location to the authorities. Bill Sykes, planning to escape, takes Oliver onto the roof, knowing he will not be shot at if the boy is with him. When trying to scale the building using a rope, Sykes loses his footing and accidentally hangs himself.Some time later, Oliver is living comfortably with Mr. Brownlow again. Fagin was arrested (though the fate of the pickpockets is unknown), and Oliver wishes to visit him in jail. Brownlow takes him to the prison, where they find Fagin ranting and wailing in his cell. Oliver is distraught at Fagin's fate, as he had been something of a father figure to Oliver. As Mr. Brownlow escorts a tearful Oliver to a carriage, gallows are being set up in the courtyard. Townspeople begin to gather to watch Fagin's execution.
    

Oliver Twist


            The Nine Lives Of Tomas Katz Review
84 minutes, UK/Germany (2000), The second feature from British writer-director Ben Hopkins, this is a low-budget, apocalyptic black comedy. Erratically executed, it still exudes eccentric inventiveness
On the day of a solar eclipse, stranger Tomas Katz (the hugely versatile Fisher) materializes from a man-hole at the edge of the M25. Inexplicable powers enable this bizarrely-dressed individual to take on the identities of people he comes into contact with, and in these different guises - taxi-driver, government minister, London Underground controller, security guard - he wreaks havoc on a fast-disappearing metropolis.Suddenly the Tube trains are carrying the souls of the dead to the Valley of Judgement, whilst the country has declared war on an obscure Pacific island. Only the mystical and blind Chief of the Metropolitan Police (McNeice) can foil Katz and prevent the end of the world by finding the legendary astral child.The highly improvised The Nine Lives of Tomas Katz draws on a whole range of references and influences, including Monty Python, German expressionism, 'The Day Today', MTV pop videos, and Derek Jarman. Handsomely shot in black and white, there's evidence here of a fertile cinematic imagination on the part of Hopkins (whose previous feature, Simon Magus, was similarly shot through with the uncanny), enabling the spectator to view (and hear) London from a fresh perspective.However, there's also a significant downside to the freewheeling style in the form of erratic pacing, ramshackle structure and woolly ideas, which result in the film becoming irritating, at times little more than a series of surreal set-pieces. The fact that the credits include a dedication to "the bollards and windows of London", gives some indication of the off-the-wall nature of the whole enterprise.
    

The Nine Lives of Tomas Katz

The Englishman Who Went Up a Hill But Came Down a Mountain


            After failing the rescue attempt of a raccoon in the Himalayas (a parody of the opening to the film Cliffhanger), Ace Ventura undergoes an emotional breakdown and goes on a personal soul-searching quest by becoming a Tibetan monk. He is approached by Fulton Greenwall, a British correspondent working for a provincial consulate in the fictional African country of Nibia. Being that Ace's influence is disruptive to the monastery, the Grand Abbot eagerly gives Ace excuses by which to justify his departure.Greenwall asks Ventura to find a sacred animal called Shikaka, which has become a point of contention. Shikaka, which is a great white bat, is a sacred animal for the Wachati and Wachootoo tribes of Nibia; whenever its name is spoken, the tribesmen must bow. Accompanied by his capuchin monkey, Spike, Ace travels to Africa and returns to his pet detective work.After arriving in Nibia and meeting with the head of the consulate, Vincent Cadby, Ace begins learning about his case as well as the possible suspects. Ace, normally an animal lover, must overcome his fear of bats in order to continue studying the case. He travels to the Wachati tribal village, where he learns that Shikaka is meant as a wedding present from the Wachati Princess, who is set to wed the Wachootoo Prince. If the bat is not returned in time, the Wachootoo will declare war on the Wachati tribe instead. Much of Ace's activity involves eliminating various suspects and enduring the problems of dealing with the Wachati and the Wachootoo, who refer to him as the "white devil". This proves difficult, and is made more so by other incidents including attempts to kill him.
Reduced to the limit of his ability to solve mysteries, Ace consults the Grand Abbot via astral projection. Advised by the Abbot, Ace finally discovers that Vincent Cadby had taken the bat and hired Ace as a cover for his own crimes. Cadby plans to let the tribes destroy each other and take possession of their land, using the numerous bat caves containing guano to sell as fertilizer. Ace manages to thwart Cadby's plans. However, tribal security chief Hitu is by Cadby's side and sends him to jail, but Ace calls an elephant to escape, and then summons herds of animals, crushing Cadby's house. He tries to shoot Ace with a shotgun, but he is knocked out by Greenwall's fist. After waking up, Cadby manages to escape, with the bat, in a car and Ace chases him in a monster truck. Ace throws the truck's cigarette lighter at Cadby in an attempt to distract him, who finally rams into a tree and the cage with the bat flies away. Ace runs over Cadby's car, while Cadby runs away.Ace, tries to chase him, but when he sees that the sun is rising, he confronts his phobia and dramatically returns the bat to the tribes by running through their battlefield with it clutched in his hands, while screaming its name. Cadby, who was covertly watching, is discovered when Ouda sees him and calls out to alert the nearby warriors that another "white devil" is in the area. He is then pursued by both tribes. Meanwhile, Ace accomplishes his mission when he puts (displeased) the bat in his cage. Cadby, who was pursued, ends up lost, out of sight of the tribes. While he was laughing in safety in a tree, he ends up in the hands of an amorous silverback gorilla. The Princess is married to the Prince, who earlier appeared as a champion wrestler sent to challenge Ace's presence in the tribe. Moments later, it is discovered to the tribes' displeasure that the young bride is no longer a virgin, apparently due to Ace's intervention. Both of the tribes promptly pursue Ace, concluding the film.
    

Ace Ventura: When Nature Calls


            Sean Veil (Lee Evans) was accused of the murder of Susan Jasper (Andrea Grimason) and her two twin daughters, Moira and Maggie (Gabriella Henriette and Emily Anthony). The jury is dismissed because of the lack of proof, but forensics specialist Saul Seger (Ian McNeice) and Detective Louis Emeric (Sean McGinley) still think Sean's guilty.Ten years later, Sean is a paranoid man who lives imprisoned in his own home, a high-security bunker where he's constantly recorded by cameras. When he goes out of home, he carries a "self-camera", which consists of a camera held by a kind of strange harness attached to his own body with leathery straps.Sean goes to jail for the presentation of Saul's book. There, Katie Carter (Rachael Stirling), a ruthless journalist, blames Saul because he offers no new vision of the murder. Sean shouts that Saul has destroyed his life and makes such a racket that he's forced to leave. Outside, Katie convinces him of reviewing the reconstruction of the murder. She's interested in Sean's opinion. She insists and eventually Sean lets her in his home. At that moment, the police come in, accusing Sean of the murder of Mary Shaw (Rachel O'Riordan), a prostitute killed five years ago, whose corpse has just been found out. Detective Mountjoy (Colin Salmon) and the presently very-sick Emeric interrogate Veil.Veil offers to show them the tapes of the presumed date of Mary Shaw's killing, but they are not there. Veil runs away in panic. Later, he will go to Seger's, demanding the truth. Seger knew all the time that Veil was innocent, but he didn't say so because the case made him famous and rich. Seger rings the police alarm, and Veil runs away.On the police station, Veil shows tapes for the time of Mary's killings, but the police officers show them others: Veil said to Kathy Burton (Rachel O'Riordan as well), a woman who makes a pass at him at the cafeteria, that his name was Tom Prophet. The woman was filming him without his knowledge. They go to Veil's to have sex, but he blindfolds her. She looks, and freaks out when she sees Veil's terrifying home. She runs away, as it is shown by one of Veil's tapes. The police officers show Veil the corpse of Saul, blaming him as well. Veil doesn't confess. At that moment, the police have to let Veil go: he had hired a man (Andrew Wilson) to film him every time that he left his safe home, and his tapes and testimony put Veil at other place at Kathy-Mary's fatal hour.Katie helps Veil. She takes him to his home, where Serger is alive but tied down. It was all a trick so that Veil would confess. It starts to look like as though Sean coud not distinguish reality from his paranoic dreams.However, the journalist also has her own plans. She tells him that she was the daughter of the real murderer of Susan Jasper, her father Sam Jasper (Martin McSharry), who had committed the murder out of jealousy. Katie took her mother's single name. She won't be able to put up with being discriminated against if people know she's the daughter of such an infamous murdered. She says that Mary Shaw's murder was an accident, because of Katie's anger becase Mary couldn't produce a sample of Veil's semen to frame him of Katie's rape. Katie kills Seger. She is filming everything.Katie tries to make love to Sean to get that semen sample. However, Sean is unresponsive. There is a fight which we see through the recordings. Fade to black, and we see Sean, alone and desperately crying holding Seger's gun - the one which had killed Susan Jasper and her children. The police arrives.Sean shows him a computer webcam's film in which we see that Katie kills Seger, tries to obtain Sean's semen and then commits suicide. Mountjoy asks Sean what could happen to his alibi if the digital recording gets lost somehow (implying that he's going to lose it on purpose). Sean tells him that he's just e-mailed a copy of the recording to some journalist, so there is no way he can be framed.Veil is declared innocent in all accounts, altough he must give his testimony. However, he can't live in a relaxed way, as he keeps recording himself 24-hours a day to keep himself in a safe way.
    

Freeze Frame

Don't Leave Me This Way


            The title 'White Noise' refers to the phenomenon known as Electronic Voice Phenomena (EVP). People believe that you can hear voices of the dead in the white noise of a detuned radio and even see faces from the white noise on the television set. Michael Keaton stars in this thriller as Jonathan Rivers, a man who had just lost his wife in a freak accident. Raymond Price (Ian McNeice) meets with Jonathan and tells him that his wife Anna has contacted him from the other side. Jonathan doesn't believe him until he hears Anna's voice on his radio. Jonathan wants to talk to his wife, and he gets all the equipment. There is only one thing that Jonathan doesn't know, there are also bad people on the other side. Douglas Young (the-movie-guy)KrystelClaire's outlineJonathan Rivers (Michael Keaton), a highly-stressed professional notices that a strange man is watching him from outside his home and his office. That man tells him that his wife, renown writer Anna Rivers (Chandra West) is dead and at peace, because she has talked to him from the other side. Jonathan Rivers dismisses him violently, but that night two police officers arrive: Anna has been found dead, the cause was not a robbery gone awry because she had her mobile phone and personal items on her.Some time later, Jonathan has not adjusted himself to be a widower, although he takes shelter in his job. One day, Jonathan is with one of the investors (L. Harvey Gold) who has contracted him. They are both going down in a lift when they get stuck and the lights are out. At that moment, Jonathan's mobile phone rings, and it says "Anna's phone". Jonathan gets so surprised that he doesn't pick it up. The lift soon starts working again and he goes on business as usual. However, back home, he checks Anna's mobile phone, still in the plastic bag the police had given it to him in. It has run out of battery. At that very same moment, Jonathan's phone rings again, and again it's from Anna's mobile phone. He picks it up: white noise is heard. Suddenly, somebody hangs up at the other side of the line. That night, female whispers are heard. Also, a message gets recorded in Jonathan's line phone, but he was able to hear it once, as the answering machine will say that there are no messages left after he has heard it once.Jonathan decides to visit Raymond Price (Ian McNeice) at his home. Sarah Tate (Deborah Kara Unger) is there, still with tears on her cheeks. Sarah leaves them alone. Ray tells Jonathan that he is not a medium or a magician. He just records images amidst the white noise and shows him the message of a female voice calling out "Jonathan, Jonathan" over and over again amidst white noise. Sarah offers a cup of coffee to Jonathan and she tells him that she has become addicted to the recordings. Sarah is satisfied, because they have just interpreted that her ex-fiancé is happy in the other realm.Jonathan starts tuning in the car radio, at home, always looking for the white noise. One day, while driving, he hears a female voice saying whispering something. Because of that distraction, he almost has an accident while driving. Back at Raymond's home, Jon is left alone hearing Anna and some more voices. Suddenly, angry sounds and images seem to invade the room, but Raymond deletes those in front of Jonathan. Raymond says that not all the voices are nice, that Jonathan shouldn't get nervous and that they are closer to getting an image of Anna. Jonathan goes back home, but Raymonds tells him to see him again fast. When Jonathan arrives, Raymond's home door is open, so he enters. Everything is dark, some figures appear on the tv's white noise, and Raymond is dead - maybe because of fright?. Jonathan calls the police.After the funeral, Sarah helps Jonathan to find Anna's original recordings. Alongside some fun messages, they found insults like "pig... rot". Mike (Nicholas Elia) is Jonathan's only son. He wonders why his father has bought so many tv's all of a sudden, and Jonathan tells him that it's better so that each one can see each fovourite tv programme. Jonathan doesn't pay much attention to Mike, as he's always too busy with the recordings. Jonathan visits a blind psychic, who says that Jonathan's doing a very dangerous thing because some of them don't like how he interferes with everything, and that she keeps on hearing "Willow Avenue". Even though the psychic tells tells him that Anna was pregnant, he doesn't believe her. The psychic tells Jonathan that he's misinterpreting everything. Next time in front of the tv, he watches many different faces, some of them menacing.Jonathan visits Susie Tomlinson (Amber Rothwell), whose mother died when she was born. Apparently, her grandmother has tried to contact her mother, and the former promised to tell her whether she has been able to talk to Susie's mother after her death. Susie says that her grandmother died two days ago, but Jonathan has been receiving messages from her for a week. Mike wonders what his father is doing, but he never gives a clear answer or pays much attention to him. Mike tells his father to be careful.Next time, Jonathan watches Anna tell him to come look for her. When he gets near to the screen, Anna is terrified and screaming. The shadows of three men (Bill Tarling, Chuck Walkinshaw and Colin Chapin) seem to have terrified Anna. A male voice also whispers "Willow Avenue". Jonathan goes there in a wet dark night. Once there, there is a short circuit in a high-voltage cables and pole. When approaching the site of a car accident, Jonathan notices three black shadoes flyting away. Closer, he notices a bloodied woman (Miranda Frigon) trapped within the car, shouting for him to save her baby. The mother dies but the baby is rescued by Jonathan. Carol Black's husband Frank (Aaron Douglas) refuses to listen to Jonathan, who realises that Anna is showing him the future of people who are going to die. Jonathan is sure that he's shown only the cases which he can help in.The shadows appear again amidst white noise. They realise that they have Mary Freeman (Suzanne Ristic), a kidnapped woman on Raymond's tapes. Anna tries to tell them where Mary is, but they can't understand her well. Sarah also appears on the images. That night, Jonathan can't sleep well, and he leaves the door open as he hears Sarah mutter in her sleep. When Jonathan goes to watch, he watches Sarah jumping backwards from the balcony of her home with dazed open eyes. Sarah is still alive, at hospital, although she's in a critical state. Detective Smits (Mike Dopud) wants to question Jonathan later on. Sarah wakes up to say that "it hurts, it hurts".When Jonathan returns home, everything is a mess, but his equipment is still working. He is shown a place before the three strange presences appear. Smits appears after Jonathan has left and gets puzzled over the mess. He distinguishes the terrified face of Mary in Jonathan's monitor. Meanwhile, Jonathan drives like a maniac to reach pier 16, following the images seen. He phones Smits to tell him of the place, but he doesn't seem to understand. At the derelict place, Jon arrives to see many screens and monitors on. A man is lurking in the shadows behind him. Anna's image advises him to leave now. Immediately, the shadows of the three men appear on the turned-on screens.Jonathan sees what looks like the torture tools of a psychopath, who's waiting for him while Mary is tied down. The three presences are present. The psycho is the worker who got Jonathan and the contractor from the lift. He says that the three presences had asked him to bring Anna to them as well. Sarah is turning and tossing at hospital feeling Jonathan's angst. When Smits and other police officers arrive, Jonathan has fallen down three or four storeys and is dead. Mike and Sarah go to the funeral. The radio of the car starts going to the white noise, and we can hear Jonathan's voice saying "I'm sorry", but Jane (Sarah Strange) - who is going to take care of Mike from then on- turns it off. Mike smiles.Sarah, in a wheelchair, if left alone at the cemetery. The breeze blows, it's a sunny day... but then the shadows seem to threaten her. Jonathan appears with Anne amidst white noise. They are both smiling.
    

Ian McNeice

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