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A Room of One's Own

Upstairs, Downstairs

Psychoville

The Lady from the Sea

Tea With the Dames

The Scapegoat


            At the film's inception Jude Law plays a young man named W. P. Inman at a provincial North Carolina town. He meets Ada (Nicole Kidman) and is at the fledgling stages of a relationship with her when he marches off to war as a Confederate soldier.The film opens early in the morning of July 30, 1864. Confederate troops are entrenched outside Petersburg during its siege. The teenaged Oakley (Lucas Black) is handing out clothes from a wheelbarrow while Inman reads letters from Ada. The soldiers are tired and bored. Most are seasoned veterans who have been fighting for over three years. But meanwhile Union engineers are filling a mine under the Confederate trenches with gunpowder barrels while above, hundreds of Union troops are waiting to attack. Suddenly back at the Confederate siege works, a rabbit hops into the trench. Just as one of the men is about to capture it the ground rises from under him and there is a huge explosion. The Union lit the barrels and most of the trench exploded. As Inman and Oakley get up dazed from the blast they see Union troops charging at them. As the Union charge they run right into the crater where the trench used to be and are trapped in a kill zone. The Confederates fire down at them but the fighting becomes hand to hand and Oakley is pulled down in by a Union soldier and Inman goes after him. Before Inman can reach him Oakley is bayoneted but survives. Inman shoots the Union soldier with a LeMat revolver he finds and pulls Oakley out of the chaos. The battle ends with a decisive Confederate victory. As the Confederates are cleaning up after the battle, Inman comforts Oakley as he is pulled to the hospital on a cart. Later that day Oakley dies in the hospital with Inman and Stobrod Thewes (Brendan Gleeson) beside him.The next night, Inman, Swimmer ( Jay Tavare ) and his platoon are sent out to kill surviving Union troops trapped behind the lines. During the raid other Confederate troops open fire killing several Confederates and wounding Inman. While lying in the hospital he has letters read to him from Ada. Inman then decides to desert and go home to Cold Mountain.On his journey he meets the corrupt preacher Reverend Veasey (Philip Seymour Hoffman) who is trying to kill his pregnant lover. After Inman dissuades him, he joins Inman on his journey. They help a young man named Junior (Giovanni Ribisi) butcher his cow and join him and his family for the feast. Junior leaves the house after the feast, and the women in Junior's family seduce Veasey, and Junior's wife, Lila, tries to seduce Inman. Junior returns home with the Confederate Home Guard and both Inman and Veasey are taken prisoner.While the home guard officers attempt to hide from a group of Union soldiers, Inman is able to escape with a wound. An old and wizened woman (Eileen Atkins) cares for him and feeds him. He then meets a young widow named Sara (Natalie Portman) who is raising her infant child alone.After staying a night with her, three Union soldiers arrive demanding food. Sara rushes Inman away to avoid his being killed, but he hides only a few feet away from the house. Two of the soldiers harass Sara and leave her baby in the cold, though one (Cillian Murphy) attempts to keep the baby warm. The lead soldier attempts to rape Sara but is killed along with the other soldier by Inman. The kindhearted soldier is shot by Sara.Parallel with Inman's adventures, the film follows Ada's wartime experiences. Ada is a city woman who only recently moved to the rural farm named Black Cove. She met Inman on her first day at Cold Mountain, and had a brief romance with him the night before he left for the army. Shortly after Inman leaves, her minister father (Donald Sutherland) dies, leaving her alone on the farm and with little prospect for help, as the young, able-bodied men are off at war.She is completely inept at working the farm, having been raised to become a southern lady and is struggling to survive at the farm. She manages to survive thanks to the kindness of her neighbors, one of whom eventually sends Ruby Thewes (Renee Zellweger) to her.Ruby is a young woman who has lived a hard-scrabble life and is very adept at the tasks needed to run the farm. Ruby lives at the farm with Ada and together, they take the farm from a state of disaster to working order. During this time, Ada writes constant letters to Inman in hopes of meeting him again and renewing their romance.The two women form a close friendship and become each other's confidantes. They also are friends with the Swangers (James Gammon and Kathy Baker), who live down the road from Black Cove. It is at the Swangers' well that Ada "sees" a vision of Inman coming back to her in the snow along with a flock of crows.During the war, Ada and Ruby, and other members of their community, have several tense encounters with men who are members of the Home Guard. This branch of the Home Guard is led by Teague, whose grandfather once owned much of Cold Mountain. He and his deputies hunt deserters partially with the goal of Teague seizing their land. Teague also lusts after Ada.Although the purpose of the Home Guard was to protect the south and its citizen population from the North, they have become violent vigilantes who hunt and often kill deserters from the Confederate Army and terrorize citizens they believe are housing or helping the deserters, including the Swangers' sons, who by torturing their mother they coax out of hiding to be killed. Esco Swanger - the family patriarch - is also killed in protection of his sons. Ruby's estranged father Stobrod (Brendan Gleeson), also a Confederate deserter and a violin player, arrives and reconciles with her. He convinces her to make a coat for his intellectually devoid banjo player Pangle (Ethan Suplee). Ruby also finds herself drawn to mandolin player Georgia (Jack White).While camping, Stobrod, Pangle and Georgia are cornered by the Home Guardsmen led by Teague. Pangle unintentionally reveals the band as the deserters Teague is seeking. Georgia is hidden a few feet away, and witnesses the shooting of Pangle and Stobrod. He informs Ruby and Ada, who rush to the campsite to find Pangle dead and Stobrod injured. They decide to stay at some cabins in the woods to avoid Teague and his men.It is at this moment that the two story lines reconverge: Inman finally reaches Cold Mountain, and is almost killed by Ada before she recognizes him. They later consummate their love and spend the night together.The Home Guardsmen, however, soon find the couple in the mountain and determine to kill Inman, as they know he's a deserter. While fighting off the hunters, Inman is shot by the young and violent Bosie (Charlie Hunnam), but manages to kill him as well. Ada goes to him, and finds him just as she saw in the well earlier when he was coming back to her. He dies in her arms.The film ends several years later with Ada, Ruby and their families celebrating Easter. Ruby has married Georgia, and the two have an infant child. Her father Stobrod is revealed to have survived, and it is revealed that Ada's night with Inman had given her a child, Grace Inman.
    

Cold Mountain

Cold Comfort Farm

Let Him Have It

Bertie and Elizabeth


            Harvey Shine (Dustin Hoffman) works as a jingle writer for television commercials in Manhattan, a job not in keeping with his one-time aspiration to be a jazz composer and pianist. We see him at work and he is very good at what he does. However, his boss does not seem impressed with his latest output. As Harvey departs for London to attend his daughter Susan's wedding, his boss actually suggests that he spend more time there than he had originally planned. Harvey declines, making the point that he needs to be back for an upcoming pitch to an old client. His boss insists that it is being done by other musicians, and that Harvey's latest work was his last chance to keep his job.On the plane, Harvey tries to chat up a fellow passenger, but she is having none of it. He is left sitting there with egg on his face and we come to regard him as even more of a loser.Meanwhile, we witness the mildly strained relationship between Kate Walker (Emma Thompson), a single Londoner, and her mother, whose husband left years earlier. Kate tries to reassure her mother that despite being single, she may yet find a man. Further, Kate tells her mom to quit worrying about the new Polish neighbor who has moved in next door and seems to be stacking a lot of firewood.Upon arrival at Heathrow Airport in London, Harvey encounters Kate at her job collecting statistics from passengers as they pass through the terminals. She attempts to question him about his reasons for visiting the UK. Tired and anxious to get to his hotel, Harvey brusquely dismisses her when she approaches him to ask questions.Harvey heads for the hotel to check in and discovers that he is the first one to arrive. Upon calling his daughter to double check where everyone else is when they were all supposed to be staying together, he learns that his ex-wife Jean actually rented a house to accommodate family and friends from the States and he is the only one at the hotel.After a brief nap, he showers and hurriedly dresses. On the way to the rehearsal dinner in the taxi cab, he realizes the anti-shoplifting device is still attached to the sleeve of his jacket. And to make matter worse, he has worn a white suit (thinking this was requested) while all the other men wore black. During the meal, it becomes increasingly clear Harvey is considered a mere guest and the role of father of the bride has been delegated to Jean's husband Brian. To add insult to injury, Brian stands to give the toast, and recollects the vacation they all spent in Rome, and his stepson-in-law-to-be embraces him and calls him Dad. Just before leaving back to his hotel, when Harvey tells Susan (with whom he has shared a strained relationship since his divorce) that he will be attending the ceremony but not the subsequent reception because he needs to return to the States for an important meeting, she informs him she has asked Brian to give her away.Meanwhile, Kate is set up on a blind date by a well meaning co-worker that does not go well. When she returns to the table after taking yet another call from her mother, she discovers her younger date has invited some of his younger friends to join them. Feeling unwanted and excluded from the conversation, she eventually excuses herself and goes home. As it turns out, Kate's increasingly neurotic mother seems convinced that her Polish neighbor is some kind of murderer because she sees him toting strange looking, lumpy packages into a shed in the back yard. The following morning Harvey attends Susan's wedding, but heavy traffic delays his arrival back to Heathrow, and he misses his plane. When he calls his boss Marvin in NYC to inform him he will be returning a day later than planned and that he will try to get there as soon as possible, he is told that he is fired.In his glum mood, Harvey makes his way to the airport bar and starts slugging down scotch, determined to drown his sorrows. Kate is sitting in the lounge reading a novel and drinking wine when she notices Harvey. She makes a barb to him about the drinking being a big help to whatever is bothering him and he fires back about her reading a trashy novel and drinking chardonnay not being so much better.They gradually warm to each other over the course of their salads. After an awkward goodbye at the exit, where Harvey wistfully watches Kate walk away, he decides to follow her to the Heathrow Express and upon arrival at Paddington station, asks if he can walk her to her writing class on the South Bank. She accepts his offer and is pleased when he offers to meet her after class.As they stroll along the River Thames, Harvey mentions he is missing Susan's wedding reception, and Kate urges him to go. He finally relents, but only if she will accompany him. When Kate insists she is not properly dressed for such an occasion, Harvey buys her a dress and the two head to the Grosvenor House Hotel, where they are welcomed warmly by Susan and her new husband Scott. When the father of the bride is called upon to make a toast, Brian rises and begins to speak until Harvey taps his glass and reminds him who the real father of the bride is. He then delivers an eloquent speech that redeems him with his daughter and endears him to Kate.Following the reception, Harvey and Kate walk and talk until dawn. They exchange a single, gentle kiss and agree to meet again at noon at the same place, a cafe near a water park. They are both excited about the upcoming rendezvous, but after running up the hotel stairs too quickly, Harvey suffers an attack of arrhythmia! Paramedics rush him to the hospital, where he protests to doctors that he is fine and must leave to meet someone. The doctors insist that he must stay for further tests.Kate buys some flowers and does her makeup in anticipation of seeing Harvey again. She waits at the cafe where they agreed to meet, yet he is still in the hospital, unbeknownst to Kate. After a long time waiting, she leaves alone, crushed and rueful.Harvey immediately attempts to contact Kate after he is released from the hospital, but is surprised to receive a call from his ex-boss Marvin, who explains how his superiors like Harvey's latest work so much that he wants him to return to his job right away. Harvey pauses and then tells Marvin that he no longer wants the job.Kate visits her mother again and discovers that the Polish neighbor has left a rather large smoked ham. Turns out that he is not a killer after all, just a meat smoker. Kate then returns to her job taking surveys at the airport, and when Harry calls her there, she refuses to take his call.Harvey rushes to the airport to redeem himself with Kate but she has left for the day. Her workmates are suspicious of him at first but know that she likes him, and let him know that she is at her writing class. He tracks her down after class and reveals why he missed their rendezvous. Overly cautious about romance because of so many past disappointments, Kate initially resists his suggestion that they see what the future might bring them, but finally agrees to give things a chance. When she asks Harvey how it will work, he replies that he does not know, "But it will, I promise you that."As they walk away, Kate takes off her shoes to make her closer in height to the shorter Harry. He says, "I think you're my kind of girl." When he recalls that she never did ask him the questions from her airport survey, she asks for his name and residence, to which he replies, "I'm in transition."Over the end credits, we see that Kate's mom has gone to visit her Polish neighbor to thank him for the ham. The neighbor invites her to come into his house, and after some feigned hesitation, she agrees to enter.
    

Last Chance Harvey

Mrs Dalloway

Nelly's Version

Women Talking Dirty

Scenes of a Sexual Nature

What a Girl Wants


            The idiosyncratic worlds of artists and aristocracy collide in Vita & Virginia, which brings into focus the years of friendship, sex, love and letter writing between two literary powerhouses. Vita Sackville-West (Gemma Arterton) is introduced to the effervescent Bloomsbury Set, at the heart of which is Virginia Woolf (Elizabeth Debicki). Their refusal to play by society's rules offers an enticing escape to socialite and author Vita, who is no stranger to rule-breaking herself. She is constantly chastised by her overbearing and dismissive mother, Lady Sackville-West (Isabella Rossellini) and resents the duties she must undertake for her bisexual, MP husband, Harold Nicolson (Rupert Penry-Jones). Vita is drawn to the progressive and sexually liberated group of artists, politicians and authors, intrigued particularly by the mystery and apparent aloofness of Virginia.Having a long-held and deep contempt for the upper classes, Leonard Woolf (Peter Ferdinando) is suspicious of this socialite's sudden appearance in their lives but Virginia persuades him that their publishing house, Hogarth Press, should publish Vita's next book. Something more than a working relationship blooms between the two women; although each writer holds the other in high regard and they are celebrated in their own right, they crave a particular acceptance from each other. Their mutual admiration, though fast becoming charged with a tension and a passion which excites them both, is peppered with doubts. Their backgrounds and sensibilities are so far apart on the social spectrum that their relationship and even friendship seems doomed. A brief but significant visit to Vita's ancestral home marks their inescapable differences in Virginia's mind and it reignites her fear that she cannot love others in the same way as they do her.Vita and Harold's marriage of convenience threatens to crumble as she becomes frustrated and suffocated by the role of submissive and dutiful wife, distracted by the exciting opportunities that being Virginia's lover offers. There is always a sense that Vita is desperate to lift the curtain on the 'real' Virginia, to reveal the truth behind the myth and Virginia relishes the challenge, even if she is not always entirely comfortable with it. Their relationship oscillates, they circle around each other and there are constant contradictions between what is said and what is meant. It is when they are separated by Harold's diplomatic responsibilities that the truth pours out. Their letters are infused with a fierce love and longing, a desperation to explore and analyse the heart and the mind - this is where they are most comfortable, each a muse for the other.Vita & Virginia offers a glimpse into the complex nature of relationships and marriages, questioning what it is to be female and feminine and details the fraught hypocrisies of living in the 1920s. Punctuating the film is Virginia's well publicised mania, depicted through visual, imaginative metaphors, a reminder of her vulnerability that Vita is eager to dispel. Throughout the story, characters struggle with the unwritten rules of jealousy, revolution, power and the myriad forms that love takes. It is from one such struggle, after Virginia sees Vita with another woman, that Orlando: A Biography is born, canonising Vita forever as Virginia's muse.
    

Eileen Atkins

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