
            The film opens with a carnival in Venice as a prelude to a series of erotic encounters that follow Giacomo Casanova through the cities of 18th-century Europe. The organizers of the festival attempt to raise a gigantic bust from the water; this fails, which is taken as a bad omen. Casanova is then introduced, as he visits one of Venice's islands to copulate with a fake nun for the pleasure of a rich voyeur; Casanova succeeds in entertaining him, but is frustrated that the man finds no interest in his research into alchemy and his further scheming. As he rows back to the mainland, Casanova is arrested, judged and imprisoned by the High Court over his famed debauchery. During his time in prison, Casanova reminisces of his affairs with a dressmaker and later on with one of her junior employees, Anna Maria, who suffers from frequent fainting and requires constant bloodletting. He eventually consummates his desire for Anna Maria. Back in prison, Casanova escapes through the roof and exiles himself from Venice, being taken into the Paris court of Madame d'Urfé. The Madame, an aged woman, enthralled by Casanova's apparent knowledge of alchemy, wishes to transform her soul into a man's through ritualistic intercourse with him (an act that requires the presence of a younger woman in the room, so that Casanova can get aroused). Fortuitously, Casanova encounters his brother, whose girlfriend he entices away. Casanova then moves to the court of a hunchback, Du Bois, in between taking charge of a beautiful girl-"the love of his life"-Henriette. Du Bois puts on a homosexual theatrical performance for his guests that unsettles some of them; Casanova is brought to tears as Henriette plays some music. The lovers vow fidelity to each other, but the following morning Henriette has disappeared. Du Bois informs Casanova that an emissary of a far-away court has reclaimed Henriette, and she's left a request that Casanova not attempt to follow her. While in London, Casanova is robbed by two women and he attempts suicide by drowning himself in the Thames. A vision of a giantess and two dwarfs distracts him; he follows them to a frost fair, where he arm-wrestles the giantess-a princess-and later pays to watch her bathe with the dwarfs. Casanova resumes his travelling the following day. He attends a deranged party at Lord Talou's palace in Rome, where he wins a bet with a stagecoach driver, Righetto, over how many orgasms he can have in one hour. The competition brings him higher acclaim. In Switzerland he falls in love with an alchemist's daughter, Isabella, who fails to keep an appointment to go to Dresden with him; Casanova instead partakes in an orgy within the hostel he's been stranded in. In Dresden, he has a brief chance encounter with his estranged mother in a theater. He then moves to a court in Württemberg, where his desire to be taken seriously as a writer/inventor is frustrated by the court's orgiastic, wild nature. It is here that he meets Rosalba, a mechanical doll with whom he shares a dance and later on goes to bed with. Time goes by and an old Casanova finds himself librarian to Count Waldstein at his castle in Dux. Life at the castle is more than frustrating for Casanova, as he is made to eat with other servants and does not get the respect nor the food he claims to deserve. Waldstein's manservant, Faulkircher, and his lover Vidarol, make him an object of mockery and animosity. A portrait of him is hanged and defecated on. Later on, during a fervent poetry recital, a court member fails to suppress a giggle at Casanova, who, humiliated and disappointed, goes back up to his room. The final scene has a weary, bloodshot Casanova cringing in an armchair and recounting a recent dream. In this dream, Casanova is back in Venice. He catches a glimpse of the giant bust seen in the beginning of the film, buried under thick layers of ice in the lagoon. He chases the ghosts of his past lovers, all of whom disappear. An ornate stagecoach beckons him to join its passengers. He finally meets with Rosalba, the mechanical doll, once again. They quietly dance with each other.
    

Carmen Scarpitta

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